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неділя, 17 жовтня 2010 р.

DAWN OF THE DEAD (1978) Twilight of the Betamax

Posted on 14:28 by jackichain

Halloween is heating up down at Acidemic. As our mangy staff prepares to move to Park Slope Brooklyn before the zombies reach 14th St., now, more than ever, we need to hold onto the classics. If you had to take only one horror DVD with you to your new pad, leaving the rest to fall into the hands of the undead hordes, would there be any other logical choice than DAWN OF THE DEAD (1978)?

An artistic peak in the midnight movie genre, it's the crossroads of horror cinema, the end of ends, a work of superb apocalyptic acumen that just gets better and better with repeat viewings. Not only does it metatextually foreshadow the death knell of the small town art houses and drive-ins (where such a film was meant to be be seen), it announces the rise of mall multiplex and the end of 'live' entertainment altogether. 


Zombies have become the cultural touchstone of the 21st century, just as, thanks to expired copyrights, anyone can make a film based on Poe, Shelly or Stoker, or Romero -- anyone with a pint of Ben Nye's mint flavored stage blood can make a movie about the rising of the dead from their graves to eat the flesh of the living. This, as it turns out, is a very good thing. The undead seem to bring out the best in us. They remind us that life is a day-to-day struggle; they force us to remember our countless previous lifetimes as hunted prey-- gazelles, rabbits, little fishes--forever on the run from hungry predators; they force us to confront our mortality by removing "the dubious comforts that a funeral service may provide."

Unlike other threats, such as sharks, the cool thing with zombies is they cannot be escaped --they are the social order with its mask off, as inseparable from our bodies as our own organs. Sooner or later you're bound to slip, get careless, get bitten, die, come back. You can let go of the idea of reaching old age, no worries about retirement, and providing for future generations, and taxes. Freed from the restraints and castrations of the now obliterated social order, citizens are forced to prioritize and move fully into the moment.

We all have that 'desert island disc' fantasy if we're the collector types, and the terrors of the undead help us to 'let go' of our burdensome collections. As I pack box after box of books, LPs, CDs, DVDs, VHS, ETC., for my Brooklyn move, I dream of civilization collapsing so I can just grab my laptop, DAWN and of course, Electric Ladyland, oh wait, and... no way, I need to bring all this... and that.. and then CHOMP you hesitated at the shelf of favorites, and now you are no more.


The opening scene with Gaylen Ross holding her head against a beautiful dark reddish orange soundproofing studio wall carpet (top) is my favorite opening of all horror - she looks like she's wrapped up in a Dario Argento wall blanket, waking up from SUSPIRIA and already thinking about the hands coming out of the wall in Romero's third entry, DAY OF THE DEAD (1984). I love how civilization's collapse is so neatly depicted in the way the TV crew on the local live 'black' talk show she's producing gradually abandon ship and flip off their progressively more annoying and frenzied station manager. I love the way the host tries to accuse the white government representative of racism in association with mandates about disposing of dead bodies. We see all the kernels of what's going to bring us down and its okay because we realize maybe there was no 'us' to begin with. The ones who survive are those who can look out for themselves and maybe the ones around them--those who aren't panicking and acting like brats--and can let go of all the rest of the 'humanitarian' concerns, can abandon all hope of any reliable bastion of military protection, as each sanctuary falls before the name of the town even finishes scrolling across the bottom of the screen.

William S. Burroughs had an analogy for it, that of holding onto the string of a helium balloon that suddenly starts lifting you in the air. Are you the type to let go of the string right away--while it's 'hot' so to speak--or are you the type to instinctively hang on until you're so high up in the air you can no longer let go without falling to your death? Some people can't let go of their identity within the social order, can't drop their whole worldview and social position on a dime and just flee to the hills, and those are the ones that get eaten.  It's all summed up in the way the distraught girlfriend can't accept her man is a zombie (below) during the projects section, even as he's biting her shoulder off. That's America! Its shoulder being chewed off by corporate-controlled government, still munching even as the whole shithouse goes up in oily flames... all right!


When the four essential cast members get off the ground and away, the film becomes a consumerist fantasia, depicting conspicuous consumption not unlike pre-revolutionary France, with the humans standing in as royalty, enjoying all the luxuries suburban America has to offer, while outside, the unwashed (or in this case, undead) masses clamor hungrily at the gates.


While this sociological statement was intentional, the film’s equally trenchant relevance to film history could not have been, for Romero couldn’t have guessed the extent to which secular iconoclasm and religious/cultural disparity (as reflected in the opening SWAT scenes) would be ground down to suburban mush, made tasteless to as not offend the masses’ palate. In other words, movies like DAWN OF THE DEAD would soon no longer be able to operate like carny sideshows, moving from town to town, outside the constraints of standard cinema distribution patterns, unhindered by television's sitcom groupthink censor rulebook, but would now be bound to 'up the ante,' bidden find ever-new way to shock, to cater to the deadening of the senses brought about by the sudden surge of sex and violence coming into the American household with the arrival of cable and home video.

To flashback, 1979 was a time when cities like Pittsburgh or Philadelphia and especially New York City, housed specialty theaters--often full of great old landmark-style 20's art deco theaters gone to crumling, with moldy red velvet curtains, listing balconies, drafts and sticky, warped floors--that would show independently-made genre films. Outside the city limits, the small town residents would flock to the drive ins to see triple bills that might start with something new and studio-backed, then gradually lean back into the really out-there independents. A film like DAWN or THE TEXAS CHAINSAW MASSACRE could play for years this way on a handful of constantly circulating prints, starting as the first film on the bill and gradually working its way back to the third, in a now-tattered version with scenes missing and thick splices.  In their spinning round film cans, the movies rolled across the country, gradually getting chewed up by backwoods projectors.


Nowadays it’s impossible to imagine zombies ever not eating the flesh of the living, yet this trait originated with Romero’s first in the series, shot in areas outside Pittsburgh, NIGHT OF THE LIVING DEAD, in 1967. That film put Romero on the map and helped DAWN gain a decent budget, courtesy producer Dario Argento, who was a big fan of the film and used the bundle he made with SUSPIRIA (1977) to back DAWN, even loaning out his SUSPIRIA house band, Goblin, for the score.

But suddenly and significantly, just as NIGHT began it, DAWN came along and symbolically ended it. VCRs and cable TV took over and suddenly you could get "the little somethin' that ya can't get at home" (1)... at home.


Before the VCR/cable revolution, DAWN, which was rated X, had been almost impossible for anyone under 18 to see in the theaters, but two years later and all you needed was your parent's membership card and you were good to go. Parental ratings concerns were shunted aside by the sheer novelty of it all, the mad headlong stampede by teens and adults on all the lurid stuff they never wanted to risk getting their car stolen to see on the big screen in the bad neighborhood crumbling theater. Cannibalism, zombies and violence were suddenly spilling into family living rooms. Frankly, the 1970s permissiveness was still enough in effect that no one thought twice about watching X-rated films with the whole family and if we were traumatized it seemed un-hip to admit it. The first movie I ever rented at 13 or 14 or so: A CLOCKWORK ORANGE (1971, below), it was my first rated X.

I was cured, all right!

 

The problem was, of course, that in the original exploitative use of it all, gore and sex was meant more as an enticement to the theater, a scary sell -- something you'd never seen before and was bound to traumatize the hell out of you -- it took some courage to attend, like going on a roller coaster, or skydiving. And as you weren't able to pause and freeze frame on an exploding head or an alien bursting out of John Hurt's chest, and were out with an audience who were also wincing and gasping it became more frightening each time you remembered it or told your friends about it. Having gone to see CARRIE or SUSPIRIA or THE OMEN was a marker of bravery and we heard willingly of the tale. But with home video, 'forbidden violence' lost a lot of its terrifying mystique and mythological cachet. Now you didn't get to imagine the film in your head while being told the entire story by some kid at recess. Now the kid just tapes it for you, and rather than reeling with a brain ablaze from campfire ghost primordial goosebumps, you came away with a headache from the tracking issues of his second generation dupe.

It was a big fall from innocence, especially if you watched the wrong movie at the wrong time, unaware, unprepared, like I was when I saw the end of LOOKING FOR MR. GOODBAR (1977), one day on cable, thinking it was ANNIE HALL, when it showed up unannounced on the Movie Channel one Sunday afternoon, well, I watched it. By myself. At 13. If you can be molested through the movies, GOODBAR molested me that day. And of course, there's no one to arrest when it's only a movie. And as far as horror films go, GOODBAR has no mythical cachet, no warning for that traumatic, brutal, insane ending. It's too mature, too much a women's lib commentary singles bar adult anti-feminist moralizing-disguised-as-artsy drama picture to ever be considered a horror film. Most of it is a single's bar tale, there's no mention in most descriptions of the horrifying end. In short, its less an initiation into adulthood and more a violation, a rape of the soul which you can't tell anyone about because no one understands and so rather then kick you into adulthood like DAWN might, it freezes you in the amber of final girl sexophobia. The other kids are all going to get killed out there, and you'll be the last one left, clinging to your virginity like a thorny lifejacket. Meanwhile Tom Berenger is still free. But I'm still locked up in the strobe light hell that Richard Brooks and the Movie Channel put me in all those years ago.

 

Cable eventually reigned itself in, realized its soft-focus "aerobics" videos weren't helping anyone get fit, and the video rental outlets became stricter about renting hardcore XXX videos to minors, but before that all was put in place, in the early, early 1980s, things got really, really crazy on the TVs of America. And I can't help feeling this little bloody spike in the average American family's movie diet helped usher in the backlash of the Reagan era. It's as if all America suddenly realized its mid-life crisis manic elation was just a middle-aged country's foolishness, and thusly turned vindictive, disillusioned. We wanted to see all the sex and violence we had been missing, and suddenly we had seen enough, too much, and it kept coming.  It made us laugh at first, but slowly, over time and sequels, chilled us to the core, robbed our innocence and left us depressed and afraid to go outside at night, even to take the trash to the curb. 

We didn't learn the lesson the older countries like France and England had learned, which was that hot sex, gore, nudity and over-the-top violence lose their 'kick' very quickly; some things are better left unseen, imagined, and deferred, because sooner or later the zombie in the mirror beckons, and you start seeing monsters around every corner of your inner city eye. America's obsession with apocalypse is a mid-life crisis: cougars and Humberts desperate to shed their skin and start over, ageless, without all those ungrateful children to worry about, and provide for. Instead of carrying forth our glorious legacy, the little buggers stab moms and moms-to-be with trowels, and write "Piggies" on the wall in their blood, and watch movies like FACES OF DEATH and CANNIBAL HOLOCAUST. 

So in our haste to feign ambivalence, to ride the coaster of cine-trauma, we allowed our minds to be closed-off, faded, warped and jaded en masse. The country fell into a state of depressed, homogenized ennui. The only cure for this disaffection, naturally, was going to the mall. At least the mall gave you something to do, somewhere to go, and you didn't have to explain why you came there. All that mattered was that you needed... something... anything. Moms got outfits and fabric just to return later, just to have a reason to go back, to get out of the house and exchange a receipt with an information desk worker's sympathetic ear.



Thus it came to pass that 25 years or so later I saw the fourth in Romero's series, LAND OF THE DEAD (2005) at a Myrtle Beach mall multiplex on a rainy Sunday matinee. The theater was about half full, with glazed-eyed popcorn eaters age eight to eighty. When the gore and the ripping and the flesh eating began in earnest onscreen, the families around me flinched here and there, but no one emerged after the film looking shaken to the core. The old man in front of us, for example, was already complaining about missing the start of 60 Minutes as he and his wife shambled slowly toward the Exit. 


Twenty years ago and those same people would have freaked out, thrown up, been refused admittance due to being underage (no one under 18 was admitted to an X like DAWN, or even an X like CLOCKWORK or MIDNIGHT COWBOY). We were scared of even seeing gore, scared of watching bodies being ripped apart. It's not that the films bothered us so much, but we imagined the sick audiences who must 'get off' on them, the guy in a raincoat sitting behind us, staring at the back of our head like its a melon they very much want to explode and we locked our doors tight to keep out the misogynists and monsters who we were sure watched these films all the time and cheering the violation and suffering of women. Anyone who watches such trash and likes it must be evil. And since people liked them enough that so many of these films existed... we needed to hide.
 
If today we seem to be rapidly approaching capitalism’s zero saturation point, if man’s devouring of man seems soon to hand, perhaps we will know exactly whom to blame; and when we’re ready to wreak our vengeance we will all march on foot towards that giant box-like building that has destroyed our once free spirit, sucked every last drop of mystery out of life, made even old-fashioned malls outdated, devoured Main Street and now the world, and so down the endless parking lot plains to Wal-Mart we will shamble to eat the flesh of our oppressors and loot the stereo section for expensive blu-ray players that won't work since the electricity is long gone, the grid destroyed, the banks toppled. Until then, we can watch DAWN OF THE DEAD in any of its myriad fine versions, and see how it all began, in a single shopping mall at the beginning of the end of the world, when a few hearty souls took control, and fought the onslaught of American sameness... and lost. Go now, while you still can. Take only what you can handle, and leave only footprints... and place your shoes, your brains, and your tender, still-beating heart in the trash receptacles at each side of the doorway as you exit the theater. Wait for me on that bench while I return this scarf and then we're going home, to dinner, and Mike Wallace.. on 60 Minutes. And be grateful. There are starving children in India, and even some obese ones from Jersey, and they're right outside the door--clamoring, knocking and moaning like the damned--and asking if you want to come over and play Resident Evil. Don't go. 

NOTES
1) Tom Waits lyric from "Pasties and a G-String" - Small Change (Island Records)

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  • Dolores Del Rio
  • Dolores Fuller
  • Dolph Lundgren
  • Domestic violence
  • Dominique Strauss-Kahn
  • Dominique Swain
  • Domino Harvey
  • Don Coscarelli
  • Don Rickles
  • Donal Cammell
  • Donald Pleasance
  • Dopey
  • Dorothy Lamour
  • dostoyevsky
  • Douglas Fairbanks
  • Douglas Fairbanks Jr.
  • downtown
  • Dracula
  • dreams
  • Drew Barrymore
  • drinking
  • drinking games
  • Drug addiction
  • drugs
  • Drunken Monkey
  • Duane Jones
  • duff gardens
  • Duke Ellington
  • Dustin Hoffman
  • Dusting Hoffman
  • DW Griffith
  • dwarfs
  • Dyatlov Pass
  • Dylan
  • Dylan Baker
  • Dylan McDermott
  • dystopia
  • Eagles
  • East Germany
  • ecological horror
  • Ed Dorado
  • ed wood
  • eddie nugent
  • Edgar Allen Poe
  • Edgar Bergen
  • Edgar Ramirez
  • Edgar wright
  • Edmund Goulding
  • Edmund Lowe
  • education
  • Edward Arnold
  • Edward Dmytryk
  • Edward Everett Horton
  • Edwige Fenech
  • Ego
  • Egypt
  • Egyptology
  • eisa gonzalez
  • el rey
  • Eli Wallach
  • Eliza Dushku
  • Elizabeth Hurley
  • Elizabeth Taylor
  • Ellen Burstyn
  • Ellen Page
  • Elliot Gould
  • Elliot Nugent
  • Elm Street
  • Elvis
  • Elvis Presley
  • EMA
  • Emily Blunt
  • Emily Watson
  • Emir Kusturica
  • Emma Roberts
  • emperor
  • Endless Love
  • England
  • Enlightenment
  • Ennio Morricone
  • ennui
  • ensemble
  • environmentalism
  • Eric Jonrosh
  • Eric Romer
  • Erich Kuersten
  • Erich von Stroheim
  • Errol Flynn
  • escorts
  • Espionage
  • Eugene O'Neill
  • Europe
  • European
  • Eva Green
  • Eva Mendes
  • Evan Peters
  • Evil
  • evolution
  • excess
  • Existenitalism
  • existential
  • Existentialism
  • Exorcist
  • exotica
  • Experience
  • experimental
  • Exploitation
  • Eyes of Laura Mars
  • Facebook
  • Fairuza Balk
  • fairy tale
  • fairy tales
  • Fakery
  • family drama
  • family dynamics
  • fantasy
  • Fanu
  • farce
  • Farrah Fawcett
  • fascism
  • Fashion
  • Fassbinder
  • Fate
  • fatherhood
  • Fay Adler
  • Fay Wray
  • Faye Dunaway
  • Female Convict Scorpion
  • feminism
  • Fernando De Leo
  • Ferris Bueller
  • Fight Club
  • Film Critics
  • Film Forum
  • Film Noir
  • film preservation
  • Film Theory
  • films
  • Final Destination
  • first national
  • Five Stairsteps
  • five to seven
  • Florence
  • Florence and the Machines
  • Flower Power
  • Folk
  • folk music
  • fool
  • Ford Beebe
  • Forest
  • France
  • Frances Dee
  • Francis Ford Coppola
  • Franco Nero
  • Franco Zeffirelli
  • Francois Dorleac
  • Frank Morgan
  • Frank Sinatra
  • frankenstein
  • Frankenstenia
  • Franklin Pangborn
  • freaks
  • Fred Ward
  • Freddy Kruger
  • Frederic March
  • free love
  • freebase
  • French
  • french girls
  • French New Wave
  • french revolution
  • freud
  • Freudian
  • Fritz Lang
  • Fritz Lieber
  • frostbite
  • Fulci
  • Fundamentalism Christianity
  • fury
  • Fuzzy Night
  • gaby hoffmann
  • Gale Sondergaard
  • gambling
  • Gang violence
  • gangster
  • Gangsters
  • Gary Cooper
  • Gary Morris
  • Gary Oldman
  • Gaspar Noe
  • Gender
  • gender issues
  • gender reassignment surgery
  • Gene Evans
  • Gene Kelly
  • Gene Tierney
  • George Bernard Shaw
  • George C. Scott
  • George Chakris
  • George Clooney
  • george harrison
  • george lazenby
  • George Peppard
  • George Reed
  • George Romero
  • George Sanders
  • George Zucco
  • Georgina Reilly
  • German Expressionism
  • Germans
  • Germany
  • ghost america
  • ghosts
  • Ghoulardi
  • giallo
  • giant spider
  • Giant Spiders
  • Gig Young
  • gigolo
  • gillian robespierre
  • gin
  • Ginger Rogers
  • ginger snaps
  • giorgio moroder
  • Giovanni Lombardo Radice
  • girl power
  • Girls
  • Glasgow
  • Glenda Farrell
  • Glenda Jackson
  • Globalization
  • Gloria Stuart
  • Go Ask Alice
  • God
  • Godard
  • Godfather
  • Godzilla
  • Golden Turkey
  • Golem
  • Gone With the Wind
  • Gonzo
  • Goodfellas
  • Gore
  • Gore Vidal
  • Gort
  • Goth
  • Gothic
  • Government
  • Graveyard
  • gravity
  • Great Britain
  • great depression
  • greed
  • greenwich village
  • Gregory Peck
  • Gregory Ratoff
  • Greta Garbo
  • greys
  • Grindhouse
  • Grizzly Adams
  • Groucho Marx
  • Guggenheim
  • guide
  • gunfights
  • Guns
  • Guru
  • guy debord
  • Gwenyth Paltrow
  • Gwili Andre
  • H.G. Welles
  • habitat
  • Haight-Ashbury
  • HAL 9000
  • Hal Holbrook
  • Halloween
  • hallucinations
  • Hammer
  • handheld horror
  • Hanging Man
  • Happiness
  • Harlem
  • Harold Robbins
  • Harrison Ford
  • Harry Hamlin
  • Harry Nilsson
  • Harvey Keitel
  • haters
  • haunted house
  • hauntings
  • Hazel Court
  • Heather Graham
  • heaven
  • Heckler
  • Helen Hayes
  • Helena Bonham Carter
  • Helene Cattet
  • Hell
  • Hell's Angels
  • henri clouzot
  • Henry Fonda
  • Henry Hill
  • Herbert Marshall
  • Herk Harvey
  • heroin
  • Herschel Gordon Lewis
  • High School
  • highway safety
  • hillbillies
  • Hills Have Eyes
  • Hinduism
  • hippies
  • Hipster
  • hit girl
  • Hitler
  • holidays
  • Hollywood
  • Hollywood Haunted Babylon
  • hollywood sewing circle
  • Hollywood USA
  • Homophobia
  • homosexuality
  • hope lange
  • horror
  • Horror Demons Monsters Hippies Sex
  • Horror films
  • horror screenwriter
  • Horror terror
  • horses
  • hospitals
  • Howard Hawks
  • Howard Hughes
  • Hubris
  • Hugh Herbert
  • Hugh Jackman
  • Hugo Weang
  • Humphrey Bogart
  • Hundustani
  • Hunger
  • hungry charlie's
  • Hunter S. Thompson
  • Huntsman
  • Hurt Locker
  • Hypnotism
  • Hypocrisy
  • Hysteria
  • Ian McKellen
  • Ice Age
  • IFC
  • ilana glazer
  • Ilsa She-Wolf of the SS
  • imitators
  • immortality
  • imperialism
  • In Bruges
  • incest
  • incompetence
  • indecent
  • Indiana Jones
  • Indie
  • Inept
  • infringement
  • Ingrid Bergman
  • Inishmore
  • initiation
  • Insanity
  • Internet
  • intolerance
  • intoxication
  • Isabelle Adjani
  • Italian
  • Italian-American
  • Italy
  • J. Edgar Hoover
  • jack arnold
  • Jack Benny
  • Jack Hill
  • Jack Nicholson
  • Jack Nitzsche
  • Jack Torrance
  • Jackie Coogan
  • Jackie Earle Haley
  • Jackie Gleason
  • jacobean
  • Jacques Dutronc
  • jake gyllenhaal
  • james bond
  • James Caan
  • James Cagney
  • James Cameron
  • James Coburn
  • James Davidson
  • James Deen
  • James Fox
  • James Franco
  • james huberty
  • James Mason
  • James McHattie
  • James Taylor
  • James Toback
  • James Watkins
  • James Whale
  • jamie dornan
  • Jamie Lee Curtis
  • Jan De Bont
  • Jane Asher
  • Jane Birkin
  • Jane Campion
  • Jane Fonda
  • Janet Leigh
  • Janice Rule
  • janos
  • Japan
  • Japanese
  • Jaqueline MacInnes Wood
  • Jason Patric
  • Jason Reitman
  • Javier Bardem
  • Jay Baruchel
  • Jazz
  • Jean Claude Van Damme
  • Jean Harlow
  • Jean Luc Godard
  • Jean Michel Gondry
  • Jeff Bridges
  • Jeff Goldblum
  • Jeff Morrow
  • Jemima Kirke
  • Jennifer
  • jennifer connelly
  • Jennifer Jones
  • Jennifer Lawrence
  • Jennifer's Body
  • jenny slate
  • Jeremy Renner
  • Jerry Lewis
  • Jess Franco
  • Jesse Eisenberg
  • Jessica Alba
  • Jill Banner
  • Jim Breuer
  • Jim Crow
  • Jimi Hendrix
  • jimi page
  • Jimmy Page
  • Joan Blondell
  • Joan Collins
  • joan crawford
  • Joan Jett
  • Joan of Arc
  • Joanne Woodward
  • Joe Cocker
  • Joe E. Brown
  • Joe Kubert
  • joe massot
  • Joe Pesci
  • joel mccrea
  • Joel Schumacher
  • john agar
  • John Barrymore
  • John Bonham
  • John Carpenter
  • John Carradine
  • John Cusack
  • John Cusak
  • John Ford
  • John Garfield
  • John Gilbert
  • John Goodman
  • John Heard
  • John Huston
  • john lennon
  • john lurie
  • John Malkovich
  • john monk saunders
  • John Parker
  • John Phillip Law
  • John Sebastian
  • John Stahl
  • John Wayne
  • Johnny Depp
  • joint
  • Joker
  • Jon Beller
  • Jon Voight
  • Jonas Cord
  • Josef Von Sternberg
  • Joseph Campbell
  • Joseph McCarthy
  • Josh Brolin
  • josh hartnett
  • Joshn Brolin
  • Jude Law
  • Judi Bowker
  • judi dench
  • Judy Davis
  • Judy Garland
  • Julia Roberts
  • Julian Barett
  • Julianne Moor
  • Julie Bishop
  • Julie Harris
  • Juliette Lewis
  • Jung
  • Jungian
  • jungle
  • junk
  • Juno Temple
  • Jurgen Prochnow
  • Justin Timberlake
  • Juvenile Delnquency
  • kali
  • karate
  • Karen Morely
  • Karina Longworth
  • Karl Malden
  • Karyn Kusama
  • Kate Bosworth
  • Kate Jackson
  • Kate Valk
  • Kate Winslet
  • Kathryn Bigelow
  • katniss
  • Katrina Bowden
  • Kay Francis
  • Keira Knightley
  • Keith Richards
  • Kelli Maroney
  • Ken Russell
  • Kenneth Anger
  • Ketamine
  • Kevin Smith
  • KGB
  • kiefer sutherland
  • Kiele Sanchez
  • Kiera Knightley
  • Killer Whale
  • Kim Morgan
  • Kim Novak
  • Kimberly Linn
  • Kirsten Dunst
  • Klaus Kinski
  • Klute
  • Kristen Stewart
  • Kristen Wiig
  • Kristina Lokken
  • Kubrick
  • Kurt Russell
  • La Cava
  • la nouvelle justine
  • lacan
  • lacanian
  • Lake Bell
  • Lambda
  • Lana del Rey
  • Lana Turner
  • Lance Rock
  • language barriers
  • Lars Von Trier
  • Las Vegas
  • last year at marienbad
  • Laura La Plante
  • Lauren Bacall
  • Laurence Olivier
  • Le Tigre
  • Led Zeppelin
  • Lee Marvin
  • Lee Tracy
  • legalize it
  • Lena Dunham
  • Leni Riefenstahl
  • Leo Carrillo
  • Leo Di Caprio
  • Leonardo Dicaprio
  • Les Grossman
  • lesbian
  • Lesbian Sex
  • Lesbianism
  • Lesbians
  • Leslie Nielsen
  • Let's Scare Jessica to Death
  • lewd
  • Lewis Carroll
  • Liam Neeson
  • Lili Taylor
  • Lililan Gish
  • Lily Damita
  • limousines
  • Linda Fiorentino
  • lindsay lohan
  • Lionel Atwill
  • Lionel Barrymore
  • Lionel Stander
  • liquid karma
  • Lisa Houle
  • Liz
  • lizard queen
  • llewyn davis
  • Lohengrin
  • Lolita
  • Lon Chaney Jr.
  • Lon Chaney Sr.
  • London
  • Lord Lhus
  • Lord of the Rings
  • Loretta Yong
  • loretta young
  • Lorne Michaels
  • Lorraine Warren
  • Los Angeles
  • Lotte Lenya
  • louise fazenda
  • Love
  • lsd
  • Lubitsch
  • Luc Besson
  • Lucien Prival
  • Lucille Ball
  • Lucio Fulci
  • Lucretia Martel
  • luis bunuel
  • Luke Jordan
  • Lupe Velez
  • lycanthrope
  • lydia lunch
  • lynch mobs
  • Lynn Lowry
  • M. Night Shyamalan
  • Macbeth
  • Mad Men
  • Madge Evans
  • Madness
  • Mae West
  • Mafia
  • magic
  • Magnificent Ambersons
  • Mako
  • malcolm lowry
  • malcolm mcdowell
  • Mamas and the Papas
  • Mandy Moore
  • Manhattan
  • Manny Farber
  • Manson
  • mantis aliens
  • Marg Helgenberger
  • Maria Montez
  • Marian Marsh
  • Marianne Faithfull
  • Marie Antoinette
  • marijuana
  • Marilyn Monroe
  • Mario Bava
  • Mark Frost
  • Marki Bey
  • Marlene Clark
  • marlene dietrch
  • Marlene Dietrich
  • marlon brando
  • Marni Nixon
  • Marnie
  • Marquis de Sade
  • Martial Arts
  • Martin McDonagh
  • Martin Ransohoff
  • Martin Scorsese
  • Martine Beswick
  • martyrdom
  • Marvel
  • Marwencol
  • Mary Astor
  • Mary Shelly
  • Mary Woronov
  • masculinity
  • Masochism
  • masonic
  • masons
  • Matador
  • Matango
  • Materialism
  • matriarchy
  • Matt Dillon
  • Matthew Wilder
  • Maureen O'Hara
  • Max Ophuls
  • Max Rosenblum
  • Maya Deren
  • Maya Rudolph
  • McGowan
  • media studies
  • medical
  • Megan Fox
  • Meghan Wright
  • Meiko Kaji
  • Melies
  • Melissa Sue Anderson
  • melodrama
  • memoir
  • memory
  • Mercedes de Acosta
  • Mesa of Lost Women
  • mescaline
  • meta
  • metaphysics
  • metatextuality
  • meth
  • Mexican Mud Band
  • MGM
  • mia farrow
  • Michael Blodgett
  • Michael Caine
  • Michael Cera
  • Michael Corleone
  • michael fassbender
  • Michael Lang
  • Michael Madsen
  • Michael Mann
  • Michael Myers
  • Michael Remar
  • Michael Shannon
  • Michael Smiley
  • Michele Soavi
  • Mick Jagger
  • mick lasalle
  • mid-life crisis
  • Mike Hammer
  • Mike Myers
  • Military
  • Milla Jovovich
  • Milla Jovovitch
  • Mimsy Farmer
  • mind control
  • minnie castavet
  • Minotaur
  • miranda frost
  • Miriam Hopkins
  • Misandry
  • miscegenation
  • Mischa Auer
  • misogynist
  • misogyny
  • Mitt Romney
  • MK Ultra
  • Mobsters
  • Moby Dick
  • Moira Shearer
  • Monarch
  • Monica Lewinsky
  • Monica Vitti
  • Monkees
  • monkeys
  • Monogram
  • monster
  • monsters
  • Monte Hellman
  • Monterey Pop
  • Montgomery Clift
  • morality
  • morphine
  • Mortimer Snerd
  • Mothra
  • Muhammed Ali
  • Mummies
  • Murder
  • murder comedy
  • mushrooms
  • music video
  • Musical
  • musicals
  • Mutations
  • Myrna Loy
  • Mystery
  • mysticism
  • Myth
  • Nabokov
  • Naked
  • Naked Lunch
  • nancy allen
  • Nancy Grace
  • Nancy Loomis
  • Natalie Portman
  • Natasha Henstridge
  • Native Americans
  • nature
  • nautical
  • Nazis
  • Near Death Experiences
  • Neil La Bute
  • Neile Adams
  • nerve profiles
  • netflix
  • new earth army
  • New York City
  • Nic Cage
  • Nicholas Ray
  • Nicholas Roeg
  • Nick Gilder
  • Nick Redfern
  • Nicolas Cage
  • Nicolas Winding Refn
  • Nicole Kidman
  • Nietzsche
  • Nigeria
  • no girlfriends
  • Noel Francis
  • Nora von Waldstätten
  • Nordic
  • Nordics
  • Norma Shearer
  • Nostradamus
  • nouvelle vague
  • Novelists
  • Nude
  • Nudity
  • NYC
  • nymphomania
  • Obama
  • obelisk
  • obituary
  • obscenity
  • Obsession
  • occult
  • ocean
  • Oh Calcutta
  • Oliver Assayas
  • Oliver Stone
  • Olivier Assayas
  • olympiad
  • Omar Bradley
  • ona munsen
  • Ontario
  • opera
  • opium
  • Orca
  • orgy
  • orientalism
  • Orson Welles
  • Oscarbait
  • Otis Redding
  • Otto Preminger
  • overacting
  • overdose
  • Owen Wilson
  • ozone
  • Pacific Northwest
  • Paddy Chayefsky
  • Paganism
  • palpatine
  • Pam Grier
  • Paranoia
  • Parenting
  • Paris
  • Paris Hilton
  • Party
  • pastiche
  • Pastorale
  • Patriarchy
  • Patricia Arquette
  • Patricia Ellis
  • Patrick Harpur
  • Patriotism
  • Patton
  • Paul Garratt
  • Paul McCartney
  • Paul Newman
  • Paul Robeson
  • Paul Ryan
  • Paul Schrader
  • Paul Thomas Anderson
  • Paul Walker
  • Paula E. Shepherd
  • Paula Prentiss
  • Paulette Goddard
  • Paulina Porizkova
  • Pedophiles
  • Pedro Almodovar
  • Peggy Hopkins Joyce
  • Penelope Cruz
  • Penitentiary
  • penny dreadful
  • penthouse
  • People Next Door
  • Performance
  • permeability
  • Pert Kelton
  • perversion
  • Peter
  • Peter Bogdanovich
  • Peter Brandt
  • Peter Cushing
  • Peter Fernando
  • peter fonda
  • Peter Lorre
  • Peter O'Toole
  • Peter Sellers
  • Peter Weller
  • petit-bourgeois
  • Peyote
  • Phil Hartman
  • Phillip Baker Hall
  • Phillip Seymour Hoffman
  • picnic at hanging rock
  • Pink Floyd
  • Pirates
  • PJ Harvey
  • PJ Soles
  • plague
  • Platonic love affairs
  • poetry
  • Poison Gas
  • Poland
  • Police
  • Political Anal father
  • Political Analogy
  • Politicians
  • Politics
  • Popeye
  • Poppers
  • poppies
  • Population control
  • porn
  • pornography
  • Portia Doubleday
  • post-apocalyptic
  • Post-code
  • Post-Modernism
  • pot
  • power
  • PRC
  • pre-code
  • pregnancy
  • President
  • Preston Sturges
  • pretentiousness
  • preversion
  • Prince Prospero
  • Production Code
  • prohibition
  • prometheus
  • promiscuity
  • prostitution
  • protests
  • pscyhe
  • psychedelia
  • psychedelic
  • psychedelics
  • psychic twins
  • Psychology
  • Psychopaths
  • psychotronic
  • psycology
  • Public Domain
  • Punch-Drunk Love
  • quatermass
  • Quentin Tarantino
  • Race
  • Rachel Weisz
  • racism
  • Radley Metzger
  • Ralph Bellamy
  • Ralph Meeker
  • Ramones
  • randy moore
  • Randy Newman
  • Raoul Walsh
  • Rape
  • Rapture
  • Raquel Welch
  • Rare
  • Ravenna
  • Ravi Shankar
  • Ray Bolger
  • Ray Milland
  • Raymond Chandler
  • reality
  • Rebekah del Rio
  • recuperation
  • red cross
  • Redheads
  • Rednecks
  • Reece Shearmith
  • Regicide
  • Reincarnation
  • remake
  • remarriage
  • Renny Harlin
  • repression
  • reptile cortex
  • Reptilians
  • Republicans
  • Repulsion
  • retro
  • Revolt
  • Rhada Mitchell
  • Ricardo Cortez
  • richard barthelmess
  • Richard Basehart
  • Richard Burton
  • Richard Dix
  • Richard Gere
  • Richard Harris
  • richard hell
  • Richard Kelly
  • Richard Linklater
  • Richard Matheson
  • Richard Nixon
  • Richard Pryor
  • Richard Rush
  • ridley scott
  • riots
  • ritual
  • RKO
  • RNC
  • Rob Zombie
  • Rober De Niro
  • Robert Altman
  • Robert De Niro
  • Robert e. howard
  • Robert Evans
  • Robert Mitchum
  • Robert Montgomery
  • Robert Pattinson
  • Robert Plant
  • robert rodiguez
  • Robert Ryan
  • Robert Siodmak
  • Robert Wagner
  • Robert Wise
  • Robots
  • rock
  • rodeo
  • roger corman
  • Roger Ebert
  • Roger Vadim
  • Roger Waters
  • Roger Wnslet
  • Roland Emmerich
  • Rolling Stones
  • Roman Coppola
  • Roman Polanski
  • Romance
  • rome 78
  • Romero
  • Romy Schneider
  • roost
  • Rory Cochrane
  • Rosamund Pike
  • Rosemary
  • Roswell
  • roy abramsohn
  • roy batty
  • roy scheider
  • royalties
  • Rubber
  • Rudy Vallee
  • Rudyard Kipling
  • Runaways
  • Rural
  • Russ Meyer
  • Russia
  • Russian spies
  • Russians
  • Rutger Hauer
  • Ruth Chatterton
  • ruth gordon
  • rutledge
  • Ryan Gosling
  • sacrifice
  • sacrificial
  • sadcore
  • Sadism
  • sadomasochism
  • Saint Francis
  • Salem
  • salieri
  • Sam Fuller
  • Sam Neill
  • Sam Peckinpah
  • Samuel Fuller
  • San Pedro
  • sandahl bergman
  • Sandra Bullock
  • Sandra McCoy
  • Sarah Anne Jones
  • Sarah Michelle Gellar
  • Sarah Silverman
  • Sartre
  • Satan
  • Satanic Panic
  • Satanism
  • satire
  • satyriasis
  • sauron
  • Scarface
  • Scarlett Johansson
  • scary
  • Schizophrenia
  • schlock
  • Science
  • Science Fiction
  • scopophilia
  • Scotland
  • Scottie Schwartz
  • Scream Factory
  • Screwball
  • sean connery
  • Sebastián Silva
  • Seduction
  • self-reflexivity
  • Self-Styled Siren
  • serials
  • Seth Rogen
  • seventies
  • seventies dads
  • severin
  • severine
  • sex
  • sex comedy
  • sex crimes
  • sexism
  • sexual abuse
  • Sexual Assault
  • sexual awakening
  • sexual discrimination
  • sexual seduction
  • Sexuality
  • sexy 30s actresses
  • Shakespeare
  • Shaman
  • Shark Week
  • Sharknado
  • Sharks
  • Sharni Vinson
  • Sharon Stone
  • Sharon Tate
  • Sheep
  • Shelly Winters
  • Sherri Moon Zombie
  • Shining
  • Shirley Ross
  • Shout
  • Shrinks
  • Sick
  • Sig Rumann
  • Sigmund Freud
  • signal corps
  • Sil
  • silent
  • Simon and Garfunkel
  • Simon Callow
  • Simon Pegg Nick Frost
  • simpsons
  • Sin
  • sissy spacek
  • Situationists
  • sixties
  • sizzle
  • skeeviness
  • slacker
  • slam dancing
  • slasher
  • slavery
  • Sleaze
  • Sleepy
  • Slow Ride
  • smoking
  • snow
  • Snow White
  • sobriety
  • Social Message
  • social psychology
  • Society of Enjoyment
  • Sofia Coppola
  • soldier of fortune
  • Sonny Tufts
  • sophie marceau
  • soundwaves
  • South Ameri
  • South America
  • Southern Gothic
  • Southland Tales
  • Space
  • Species
  • spider baby
  • Spiderman
  • spirits
  • Spooky Behavior
  • sprituality
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      • Tony Curtis makes THE MANITOU (1978), Shire a PROP...
      • Keep watching! Keep watching THE FOG (1980)
      • Let the Right One KILL, BABY, KILL (1966)
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