
I just read an interesting review in the CUNY Graduate Center's Advocate about THE MASTER (2012) wherein Mike Phillips says: "It would seem that the impetus to shoot in 70mm is a fascination with film itself" (Nov. 2012, p. 41), but isn't that kind of... I don't know... both too concise and too vague? Are we sure that's why he did it. That's like saying Mad Men is about the collapse of print media. Maybe it is, but that's just one layer. Then again,...