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пʼятниця, 25 лютого 2011 р.

Amnesiac Cinema: THE HEADLESS WOMAN (2008) and SUCCUBUS (1968)

Posted on 07:45 by jackichain
  "I would have preferred modernity. Here you move and everything squeaks."

The amnesiac occupies an understandably hallowed place in European cinema, where endless language barriers, culture shock, and class stratification work both for and against a sense of formed identity. If a woman wakes up and doesn't remember her own name or what she's supposed to be doing with her life she can still get by fairly easily if she's wearing decent clothes and doesn't have a panic attack. Whole European films can go by with this uneasy sense of displacement. Do these people talking even really know each other? Is the girl in THE HEADLESS WOMAN trying to conceal that she doesn't know who she is or who anyone else is, or is she faking to avoid having to report possibly running over a child? No one asks her anything specific, she's able to cruise through her Argentine town on auto-pilot, everyone preparing for her arrival and departure like no matter where she chooses to go she's expected.

Unless it comes with a big forwarding narration or establishing title crawl (i.e. "A long time ago in a galaxy far far away...") we come into each new film we see just as uncertain about everything. We are all amnesiacs in the audience, unless we've seen the movie before, so an amnesiac heroine can just seem... modern. She actively resists interpretation, as if she wandered in from the movie across the multiplex and no one dares tell her she's in the wrong place. She resists our using her words and expressions to establish her identity and relationship to those around her. She stays neutral so as to not admit she doesn't know the correct response to each new challenge. A man keeps bothering her, touching her, and she doesn't know if its her husband, a lover, a brother, or just a pesky stalker, and she doesn't dare ask.

The drawback to being so free of class distinctions here in the U.S. is that you can't just walk up to random people and start conversations and expect to be taken care of by the indentured class. Who do you choose to ask for directions when you're lost? What economic/class group are you in? Can we ever be sure the person who approaches us and seems friendly won't in the end be just some homeless bum asking for money, or a serial killer? Are you one?

In THE HEADLESS WOMAN, the (possible) amnesiac is Veronica (Maria Onetto), a dentist in a small Argentine town. Wherever she goes people know just who she is, or seem to, and someone seems to be cleaning up her past behind her as she goes. Her amnesia begins when she hits her head on the roof of her car after running over... something, either a dog or a small boy - she can't trust herself to remember, and as the film goes on, we don't know what her game is. What first looks like a cop digging up bodies on the side of the road turns out to be a plumber digging up a clogged pipe; the droning dissonance of pop songs on the radio seem halfway to being haunting ghost voices in her head, they almost seem to accuse her. In one of the greatest scenes she hides out in a bathroom in the hospital and neither she nor we quite realize the nurses barging in are not after her at all. The only thing we do know: director-writer Lucretia Martel is a friggin' genius.


It helps to understand socialism and the much more enlightened way that doctors and dentists don't automatically get to be rich in places with truly socialized medicine. Argentina's doctors still make house calls and hospitals, like museums, have a rundown look we usually associate only with public high schools in this country. Frankly this how it should be, and having been there twice with my ex-wife, once before once after the economic collapse, I can vouch for the casual, physically affectionate way people relate to each other, based almost purely on signifiers of either the young intellectual class, which included doctors and dentists, the noveau riche (which most Argentines refer to simply as "gangsters") and the very poor, the local Indian class who here in the complex mise en scene of THE HEADLESS WOMEN have a kind of mystic spiritual omnipresence.


When looking for comparisons one must go to Russia, a huge cultural influence on the hip socialism of Argentina. Woody Allen's CRIMES AND MISDEMEANORS covers similar ground but is a shrill Jerry Lewis face compared to the subtlety of Lucretia Martel, which is born of Chekhov. Argentina has a close relationship to Russia, to the point where many people are given Russian names (1), Russia is certainly a land of an illustrious but strange, violent past and the 'amnesia' of THE HEADLESS WOMAN recalls the mystery of Anastasia,  the black spots in Russia's history thanks to its various purges and Argentina's own 'Reign of Terror.'

To explain, I quote this passage from Suddenness May Happen's Adrian Bregazzi:
On 24th March 1976, a military junta under General Jorge Videla overthrew the Perón government in Argentina. On 19th May, Borges, Ernesto Sabato and other writers met with Videla, expressing their support for the overthrowing of the Perónista terrors, and for Videla's stating that "the development of culture is essential for the development of a Nation."

Between 1976 and 1983 an estimated 30,000 people were 'disappeared' by the Argentinian Dictatorship. On 15th December 1983, writer Sabato became president of the newly-formed National Commission on the Disappearance of Persons, the government-established commission empowered to investigate the 'disappearance' of persons in Argentina over the previous 20 years.

In 2007, in his book “Cultural Amnesia”, (the now) Clive James published a personal diatribe against Borges, confiscating his years of creative work and judging him posthumously guilty of silence during the Dirty War of the Argentinian Dictatorship (1976-1983).
Not to get into the whole mess down there, as Martel's protagonist is so strange we're never quite sure if she even has amnesia. And I don't want to spoil the 'surprise' or lack thereof, let's just say that the openness of interpretation is key, because there are two ways to watch an amnesiac movie, and only one will give you pleasure, the other will make you feel 'left out'. If you assume the woman doesn't have amnesia, for example, the films listed here can seem distended, dull, unfocused, sort of like if you walk into an Antonioni film halfway through with a head full of sugar. If you bear in mind the amnesiac precept, you can get your mind kind of blown thinking about the world, language, cultural and gender barriers that separate us and make it relatively easy for a woman--or a country--to go through life with no sense of the past. And the best of both worlds is to have a protagonist who shares our foreign film culture shock in such a way as we never know which one of us really knows what's going on, and that's what ART is all about!

succubusbu-04.jpg

I first came to this conclusion watching SUCCUBUS (AKA NECRONOMICON), the 'Sensation of 67' a few years ago, who has a similarly amnesiac heroine, this one a nightclub performer who loses touch with reality and can't tell if she really is a sadistic killer or just plays one on stage:

Strange characters come up to her at the various soirees, seemingly thrilled to have found her at last, as if they've been looking and looking for Lorna since they last met. She merely stares at these interlopers blankly, not doubting what they say, but also not caring. In this context, the pick-up line, “Haven’t we met before?” takes on an extra creepy overtone. Anything that happened before the credits of the film--anything that we have not seen on-screen--does not exist for Lorna or for us. Thus relationships between Lorna and her lovers are always in flux. After her first performance, which is the first lengthy scene of the film, Lorna mysteriously appears at Mulligan’s (Jack Taylor) front door. He’s already in his bathrobe and when he answers, and seems to not remember who she is. As viewers, we can’t tell whether she’s just shown up uninvited like a stalker from the club or whether they in fact live together and are just playing a sexy game, or whether this is merely the result of language difficulties. Is he just hungover and doesn't trust his own memory? Is he used to inviting women to "come over later" and then forgetting who they even are? Or is he just, by default, unable to say no to a sure thing?




Whatever the real truth might be, the not-knowing works to both excite and disconcert. As the pair move playfully into the bedroom, we begin to think that maybe Lorna herself isn’t sure why she came there. Anyone who has ever tried to hide the fact that they don’t remember someone who knows them will relate. Is she taking advantage of his amnesia, or is he taking advantage of hers? Or is Franco's sporadically amateurish direction and the bad dubbing (2). In the cat and mouse game of who remembers what, it’s the being in the moment that counts, and Franco’s sense of the moment, and the erotic by extension, is very advanced—and perfectly suited to the world of jetsetting, booze-swilling, partner swapping glitterati of swingin’ ’67!

From there the film just keeps rolling back and forth through a haze of flashbacks, dreams and different countries. Lorna feels her way through events by the impulses coming from her unconscious, be they to seduce, kill or spout poetic monologues. She bears her amnesia close to the vest and in this way she is a perfect stand-in for the viewer, the "art film" viewer in particular, who may be forever wondering what's going on in the narrative themselves. We've all walked into the middle of a movie before, and had to instantly guess what was going on and who was what to who, people sshhh-ing us if we asked what was going on. So wither la Succubus? Is Franco a bad director with no vision, or is he a genius whose films improve on repeat viewings?” To paraphrase the stilted English dialog in the film: “What good would it do to freak out about amnesia when not knowing can be so pleasurable?”

(...) And of course, with the ancient architecture of Europe backing her up, Lorna’s amnesia stretches back far longer than her American counterparts: the amnesiacs in Memento and Mulholland Drive can only regress a little ways in their young, gaudy, pre-fab countrysides. Vertigo’s Carlotta Vance has to come from the pre-U.S., version of California, requiring long drives in Scottie’s car out to nationally preserved landmarks. Lorna’s European location allows for so much ancient architecture all around her that her amnesia can slide back through several centuries without much effort.





(More here: Time Travel for Amnesiacs: Succubus and the Moebius Love Strip)
 NOTES:
1. My Argentine ex-wife was given the Russian name Natacha, for example, and strangely enough, she looks a lot like the girl in the upper right of the top picture. 
2. Inevitably these 'international' productions are filmed MOS or with actors all speaking in their own languages, then for the dubbing the actors contribute to the language track of their native tongue, so Jack Taylor might contribute to the English track but not the French, while a French actress vice versa, etc.

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Posted in 1967, Amnesia, Argentina, Buenos Aires, European, Jess Franco, Lucretia Martel, Succubus | No comments
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  • Gary Cooper
  • Gary Morris
  • Gary Oldman
  • Gaspar Noe
  • Gender
  • gender issues
  • gender reassignment surgery
  • Gene Evans
  • Gene Kelly
  • Gene Tierney
  • George Bernard Shaw
  • George C. Scott
  • George Chakris
  • George Clooney
  • george harrison
  • george lazenby
  • George Peppard
  • George Reed
  • George Romero
  • George Sanders
  • George Zucco
  • Georgina Reilly
  • German Expressionism
  • Germans
  • Germany
  • ghost america
  • ghosts
  • Ghoulardi
  • giallo
  • giant spider
  • Giant Spiders
  • Gig Young
  • gigolo
  • gillian robespierre
  • gin
  • Ginger Rogers
  • ginger snaps
  • giorgio moroder
  • Giovanni Lombardo Radice
  • girl power
  • Girls
  • Glasgow
  • Glenda Farrell
  • Glenda Jackson
  • Globalization
  • Gloria Stuart
  • Go Ask Alice
  • God
  • Godard
  • Godfather
  • Godzilla
  • Golden Turkey
  • Golem
  • Gone With the Wind
  • Gonzo
  • Goodfellas
  • Gore
  • Gore Vidal
  • Gort
  • Goth
  • Gothic
  • Government
  • Graveyard
  • gravity
  • Great Britain
  • great depression
  • greed
  • greenwich village
  • Gregory Peck
  • Gregory Ratoff
  • Greta Garbo
  • greys
  • Grindhouse
  • Grizzly Adams
  • Groucho Marx
  • Guggenheim
  • guide
  • gunfights
  • Guns
  • Guru
  • guy debord
  • Gwenyth Paltrow
  • Gwili Andre
  • H.G. Welles
  • habitat
  • Haight-Ashbury
  • HAL 9000
  • Hal Holbrook
  • Halloween
  • hallucinations
  • Hammer
  • handheld horror
  • Hanging Man
  • Happiness
  • Harlem
  • Harold Robbins
  • Harrison Ford
  • Harry Hamlin
  • Harry Nilsson
  • Harvey Keitel
  • haters
  • haunted house
  • hauntings
  • Hazel Court
  • Heather Graham
  • heaven
  • Heckler
  • Helen Hayes
  • Helena Bonham Carter
  • Helene Cattet
  • Hell
  • Hell's Angels
  • henri clouzot
  • Henry Fonda
  • Henry Hill
  • Herbert Marshall
  • Herk Harvey
  • heroin
  • Herschel Gordon Lewis
  • High School
  • highway safety
  • hillbillies
  • Hills Have Eyes
  • Hinduism
  • hippies
  • Hipster
  • hit girl
  • Hitler
  • holidays
  • Hollywood
  • Hollywood Haunted Babylon
  • hollywood sewing circle
  • Hollywood USA
  • Homophobia
  • homosexuality
  • hope lange
  • horror
  • Horror Demons Monsters Hippies Sex
  • Horror films
  • horror screenwriter
  • Horror terror
  • horses
  • hospitals
  • Howard Hawks
  • Howard Hughes
  • Hubris
  • Hugh Herbert
  • Hugh Jackman
  • Hugo Weang
  • Humphrey Bogart
  • Hundustani
  • Hunger
  • hungry charlie's
  • Hunter S. Thompson
  • Huntsman
  • Hurt Locker
  • Hypnotism
  • Hypocrisy
  • Hysteria
  • Ian McKellen
  • Ice Age
  • IFC
  • ilana glazer
  • Ilsa She-Wolf of the SS
  • imitators
  • immortality
  • imperialism
  • In Bruges
  • incest
  • incompetence
  • indecent
  • Indiana Jones
  • Indie
  • Inept
  • infringement
  • Ingrid Bergman
  • Inishmore
  • initiation
  • Insanity
  • Internet
  • intolerance
  • intoxication
  • Isabelle Adjani
  • Italian
  • Italian-American
  • Italy
  • J. Edgar Hoover
  • jack arnold
  • Jack Benny
  • Jack Hill
  • Jack Nicholson
  • Jack Nitzsche
  • Jack Torrance
  • Jackie Coogan
  • Jackie Earle Haley
  • Jackie Gleason
  • jacobean
  • Jacques Dutronc
  • jake gyllenhaal
  • james bond
  • James Caan
  • James Cagney
  • James Cameron
  • James Coburn
  • James Davidson
  • James Deen
  • James Fox
  • James Franco
  • james huberty
  • James Mason
  • James McHattie
  • James Taylor
  • James Toback
  • James Watkins
  • James Whale
  • jamie dornan
  • Jamie Lee Curtis
  • Jan De Bont
  • Jane Asher
  • Jane Birkin
  • Jane Campion
  • Jane Fonda
  • Janet Leigh
  • Janice Rule
  • janos
  • Japan
  • Japanese
  • Jaqueline MacInnes Wood
  • Jason Patric
  • Jason Reitman
  • Javier Bardem
  • Jay Baruchel
  • Jazz
  • Jean Claude Van Damme
  • Jean Harlow
  • Jean Luc Godard
  • Jean Michel Gondry
  • Jeff Bridges
  • Jeff Goldblum
  • Jeff Morrow
  • Jemima Kirke
  • Jennifer
  • jennifer connelly
  • Jennifer Jones
  • Jennifer Lawrence
  • Jennifer's Body
  • jenny slate
  • Jeremy Renner
  • Jerry Lewis
  • Jess Franco
  • Jesse Eisenberg
  • Jessica Alba
  • Jill Banner
  • Jim Breuer
  • Jim Crow
  • Jimi Hendrix
  • jimi page
  • Jimmy Page
  • Joan Blondell
  • Joan Collins
  • joan crawford
  • Joan Jett
  • Joan of Arc
  • Joanne Woodward
  • Joe Cocker
  • Joe E. Brown
  • Joe Kubert
  • joe massot
  • Joe Pesci
  • joel mccrea
  • Joel Schumacher
  • john agar
  • John Barrymore
  • John Bonham
  • John Carpenter
  • John Carradine
  • John Cusack
  • John Cusak
  • John Ford
  • John Garfield
  • John Gilbert
  • John Goodman
  • John Heard
  • John Huston
  • john lennon
  • john lurie
  • John Malkovich
  • john monk saunders
  • John Parker
  • John Phillip Law
  • John Sebastian
  • John Stahl
  • John Wayne
  • Johnny Depp
  • joint
  • Joker
  • Jon Beller
  • Jon Voight
  • Jonas Cord
  • Josef Von Sternberg
  • Joseph Campbell
  • Joseph McCarthy
  • Josh Brolin
  • josh hartnett
  • Joshn Brolin
  • Jude Law
  • Judi Bowker
  • judi dench
  • Judy Davis
  • Judy Garland
  • Julia Roberts
  • Julian Barett
  • Julianne Moor
  • Julie Bishop
  • Julie Harris
  • Juliette Lewis
  • Jung
  • Jungian
  • jungle
  • junk
  • Juno Temple
  • Jurgen Prochnow
  • Justin Timberlake
  • Juvenile Delnquency
  • kali
  • karate
  • Karen Morely
  • Karina Longworth
  • Karl Malden
  • Karyn Kusama
  • Kate Bosworth
  • Kate Jackson
  • Kate Valk
  • Kate Winslet
  • Kathryn Bigelow
  • katniss
  • Katrina Bowden
  • Kay Francis
  • Keira Knightley
  • Keith Richards
  • Kelli Maroney
  • Ken Russell
  • Kenneth Anger
  • Ketamine
  • Kevin Smith
  • KGB
  • kiefer sutherland
  • Kiele Sanchez
  • Kiera Knightley
  • Killer Whale
  • Kim Morgan
  • Kim Novak
  • Kimberly Linn
  • Kirsten Dunst
  • Klaus Kinski
  • Klute
  • Kristen Stewart
  • Kristen Wiig
  • Kristina Lokken
  • Kubrick
  • Kurt Russell
  • La Cava
  • la nouvelle justine
  • lacan
  • lacanian
  • Lake Bell
  • Lambda
  • Lana del Rey
  • Lana Turner
  • Lance Rock
  • language barriers
  • Lars Von Trier
  • Las Vegas
  • last year at marienbad
  • Laura La Plante
  • Lauren Bacall
  • Laurence Olivier
  • Le Tigre
  • Led Zeppelin
  • Lee Marvin
  • Lee Tracy
  • legalize it
  • Lena Dunham
  • Leni Riefenstahl
  • Leo Carrillo
  • Leo Di Caprio
  • Leonardo Dicaprio
  • Les Grossman
  • lesbian
  • Lesbian Sex
  • Lesbianism
  • Lesbians
  • Leslie Nielsen
  • Let's Scare Jessica to Death
  • lewd
  • Lewis Carroll
  • Liam Neeson
  • Lili Taylor
  • Lililan Gish
  • Lily Damita
  • limousines
  • Linda Fiorentino
  • lindsay lohan
  • Lionel Atwill
  • Lionel Barrymore
  • Lionel Stander
  • liquid karma
  • Lisa Houle
  • Liz
  • lizard queen
  • llewyn davis
  • Lohengrin
  • Lolita
  • Lon Chaney Jr.
  • Lon Chaney Sr.
  • London
  • Lord Lhus
  • Lord of the Rings
  • Loretta Yong
  • loretta young
  • Lorne Michaels
  • Lorraine Warren
  • Los Angeles
  • Lotte Lenya
  • louise fazenda
  • Love
  • lsd
  • Lubitsch
  • Luc Besson
  • Lucien Prival
  • Lucille Ball
  • Lucio Fulci
  • Lucretia Martel
  • luis bunuel
  • Luke Jordan
  • Lupe Velez
  • lycanthrope
  • lydia lunch
  • lynch mobs
  • Lynn Lowry
  • M. Night Shyamalan
  • Macbeth
  • Mad Men
  • Madge Evans
  • Madness
  • Mae West
  • Mafia
  • magic
  • Magnificent Ambersons
  • Mako
  • malcolm lowry
  • malcolm mcdowell
  • Mamas and the Papas
  • Mandy Moore
  • Manhattan
  • Manny Farber
  • Manson
  • mantis aliens
  • Marg Helgenberger
  • Maria Montez
  • Marian Marsh
  • Marianne Faithfull
  • Marie Antoinette
  • marijuana
  • Marilyn Monroe
  • Mario Bava
  • Mark Frost
  • Marki Bey
  • Marlene Clark
  • marlene dietrch
  • Marlene Dietrich
  • marlon brando
  • Marni Nixon
  • Marnie
  • Marquis de Sade
  • Martial Arts
  • Martin McDonagh
  • Martin Ransohoff
  • Martin Scorsese
  • Martine Beswick
  • martyrdom
  • Marvel
  • Marwencol
  • Mary Astor
  • Mary Shelly
  • Mary Woronov
  • masculinity
  • Masochism
  • masonic
  • masons
  • Matador
  • Matango
  • Materialism
  • matriarchy
  • Matt Dillon
  • Matthew Wilder
  • Maureen O'Hara
  • Max Ophuls
  • Max Rosenblum
  • Maya Deren
  • Maya Rudolph
  • McGowan
  • media studies
  • medical
  • Megan Fox
  • Meghan Wright
  • Meiko Kaji
  • Melies
  • Melissa Sue Anderson
  • melodrama
  • memoir
  • memory
  • Mercedes de Acosta
  • Mesa of Lost Women
  • mescaline
  • meta
  • metaphysics
  • metatextuality
  • meth
  • Mexican Mud Band
  • MGM
  • mia farrow
  • Michael Blodgett
  • Michael Caine
  • Michael Cera
  • Michael Corleone
  • michael fassbender
  • Michael Lang
  • Michael Madsen
  • Michael Mann
  • Michael Myers
  • Michael Remar
  • Michael Shannon
  • Michael Smiley
  • Michele Soavi
  • Mick Jagger
  • mick lasalle
  • mid-life crisis
  • Mike Hammer
  • Mike Myers
  • Military
  • Milla Jovovich
  • Milla Jovovitch
  • Mimsy Farmer
  • mind control
  • minnie castavet
  • Minotaur
  • miranda frost
  • Miriam Hopkins
  • Misandry
  • miscegenation
  • Mischa Auer
  • misogynist
  • misogyny
  • Mitt Romney
  • MK Ultra
  • Mobsters
  • Moby Dick
  • Moira Shearer
  • Monarch
  • Monica Lewinsky
  • Monica Vitti
  • Monkees
  • monkeys
  • Monogram
  • monster
  • monsters
  • Monte Hellman
  • Monterey Pop
  • Montgomery Clift
  • morality
  • morphine
  • Mortimer Snerd
  • Mothra
  • Muhammed Ali
  • Mummies
  • Murder
  • murder comedy
  • mushrooms
  • music video
  • Musical
  • musicals
  • Mutations
  • Myrna Loy
  • Mystery
  • mysticism
  • Myth
  • Nabokov
  • Naked
  • Naked Lunch
  • nancy allen
  • Nancy Grace
  • Nancy Loomis
  • Natalie Portman
  • Natasha Henstridge
  • Native Americans
  • nature
  • nautical
  • Nazis
  • Near Death Experiences
  • Neil La Bute
  • Neile Adams
  • nerve profiles
  • netflix
  • new earth army
  • New York City
  • Nic Cage
  • Nicholas Ray
  • Nicholas Roeg
  • Nick Gilder
  • Nick Redfern
  • Nicolas Cage
  • Nicolas Winding Refn
  • Nicole Kidman
  • Nietzsche
  • Nigeria
  • no girlfriends
  • Noel Francis
  • Nora von Waldstätten
  • Nordic
  • Nordics
  • Norma Shearer
  • Nostradamus
  • nouvelle vague
  • Novelists
  • Nude
  • Nudity
  • NYC
  • nymphomania
  • Obama
  • obelisk
  • obituary
  • obscenity
  • Obsession
  • occult
  • ocean
  • Oh Calcutta
  • Oliver Assayas
  • Oliver Stone
  • Olivier Assayas
  • olympiad
  • Omar Bradley
  • ona munsen
  • Ontario
  • opera
  • opium
  • Orca
  • orgy
  • orientalism
  • Orson Welles
  • Oscarbait
  • Otis Redding
  • Otto Preminger
  • overacting
  • overdose
  • Owen Wilson
  • ozone
  • Pacific Northwest
  • Paddy Chayefsky
  • Paganism
  • palpatine
  • Pam Grier
  • Paranoia
  • Parenting
  • Paris
  • Paris Hilton
  • Party
  • pastiche
  • Pastorale
  • Patriarchy
  • Patricia Arquette
  • Patricia Ellis
  • Patrick Harpur
  • Patriotism
  • Patton
  • Paul Garratt
  • Paul McCartney
  • Paul Newman
  • Paul Robeson
  • Paul Ryan
  • Paul Schrader
  • Paul Thomas Anderson
  • Paul Walker
  • Paula E. Shepherd
  • Paula Prentiss
  • Paulette Goddard
  • Paulina Porizkova
  • Pedophiles
  • Pedro Almodovar
  • Peggy Hopkins Joyce
  • Penelope Cruz
  • Penitentiary
  • penny dreadful
  • penthouse
  • People Next Door
  • Performance
  • permeability
  • Pert Kelton
  • perversion
  • Peter
  • Peter Bogdanovich
  • Peter Brandt
  • Peter Cushing
  • Peter Fernando
  • peter fonda
  • Peter Lorre
  • Peter O'Toole
  • Peter Sellers
  • Peter Weller
  • petit-bourgeois
  • Peyote
  • Phil Hartman
  • Phillip Baker Hall
  • Phillip Seymour Hoffman
  • picnic at hanging rock
  • Pink Floyd
  • Pirates
  • PJ Harvey
  • PJ Soles
  • plague
  • Platonic love affairs
  • poetry
  • Poison Gas
  • Poland
  • Police
  • Political Anal father
  • Political Analogy
  • Politicians
  • Politics
  • Popeye
  • Poppers
  • poppies
  • Population control
  • porn
  • pornography
  • Portia Doubleday
  • post-apocalyptic
  • Post-code
  • Post-Modernism
  • pot
  • power
  • PRC
  • pre-code
  • pregnancy
  • President
  • Preston Sturges
  • pretentiousness
  • preversion
  • Prince Prospero
  • Production Code
  • prohibition
  • prometheus
  • promiscuity
  • prostitution
  • protests
  • pscyhe
  • psychedelia
  • psychedelic
  • psychedelics
  • psychic twins
  • Psychology
  • Psychopaths
  • psychotronic
  • psycology
  • Public Domain
  • Punch-Drunk Love
  • quatermass
  • Quentin Tarantino
  • Race
  • Rachel Weisz
  • racism
  • Radley Metzger
  • Ralph Bellamy
  • Ralph Meeker
  • Ramones
  • randy moore
  • Randy Newman
  • Raoul Walsh
  • Rape
  • Rapture
  • Raquel Welch
  • Rare
  • Ravenna
  • Ravi Shankar
  • Ray Bolger
  • Ray Milland
  • Raymond Chandler
  • reality
  • Rebekah del Rio
  • recuperation
  • red cross
  • Redheads
  • Rednecks
  • Reece Shearmith
  • Regicide
  • Reincarnation
  • remake
  • remarriage
  • Renny Harlin
  • repression
  • reptile cortex
  • Reptilians
  • Republicans
  • Repulsion
  • retro
  • Revolt
  • Rhada Mitchell
  • Ricardo Cortez
  • richard barthelmess
  • Richard Basehart
  • Richard Burton
  • Richard Dix
  • Richard Gere
  • Richard Harris
  • richard hell
  • Richard Kelly
  • Richard Linklater
  • Richard Matheson
  • Richard Nixon
  • Richard Pryor
  • Richard Rush
  • ridley scott
  • riots
  • ritual
  • RKO
  • RNC
  • Rob Zombie
  • Rober De Niro
  • Robert Altman
  • Robert De Niro
  • Robert e. howard
  • Robert Evans
  • Robert Mitchum
  • Robert Montgomery
  • Robert Pattinson
  • Robert Plant
  • robert rodiguez
  • Robert Ryan
  • Robert Siodmak
  • Robert Wagner
  • Robert Wise
  • Robots
  • rock
  • rodeo
  • roger corman
  • Roger Ebert
  • Roger Vadim
  • Roger Waters
  • Roger Wnslet
  • Roland Emmerich
  • Rolling Stones
  • Roman Coppola
  • Roman Polanski
  • Romance
  • rome 78
  • Romero
  • Romy Schneider
  • roost
  • Rory Cochrane
  • Rosamund Pike
  • Rosemary
  • Roswell
  • roy abramsohn
  • roy batty
  • roy scheider
  • royalties
  • Rubber
  • Rudy Vallee
  • Rudyard Kipling
  • Runaways
  • Rural
  • Russ Meyer
  • Russia
  • Russian spies
  • Russians
  • Rutger Hauer
  • Ruth Chatterton
  • ruth gordon
  • rutledge
  • Ryan Gosling
  • sacrifice
  • sacrificial
  • sadcore
  • Sadism
  • sadomasochism
  • Saint Francis
  • Salem
  • salieri
  • Sam Fuller
  • Sam Neill
  • Sam Peckinpah
  • Samuel Fuller
  • San Pedro
  • sandahl bergman
  • Sandra Bullock
  • Sandra McCoy
  • Sarah Anne Jones
  • Sarah Michelle Gellar
  • Sarah Silverman
  • Sartre
  • Satan
  • Satanic Panic
  • Satanism
  • satire
  • satyriasis
  • sauron
  • Scarface
  • Scarlett Johansson
  • scary
  • Schizophrenia
  • schlock
  • Science
  • Science Fiction
  • scopophilia
  • Scotland
  • Scottie Schwartz
  • Scream Factory
  • Screwball
  • sean connery
  • Sebastián Silva
  • Seduction
  • self-reflexivity
  • Self-Styled Siren
  • serials
  • Seth Rogen
  • seventies
  • seventies dads
  • severin
  • severine
  • sex
  • sex comedy
  • sex crimes
  • sexism
  • sexual abuse
  • Sexual Assault
  • sexual awakening
  • sexual discrimination
  • sexual seduction
  • Sexuality
  • sexy 30s actresses
  • Shakespeare
  • Shaman
  • Shark Week
  • Sharknado
  • Sharks
  • Sharni Vinson
  • Sharon Stone
  • Sharon Tate
  • Sheep
  • Shelly Winters
  • Sherri Moon Zombie
  • Shining
  • Shirley Ross
  • Shout
  • Shrinks
  • Sick
  • Sig Rumann
  • Sigmund Freud
  • signal corps
  • Sil
  • silent
  • Simon and Garfunkel
  • Simon Callow
  • Simon Pegg Nick Frost
  • simpsons
  • Sin
  • sissy spacek
  • Situationists
  • sixties
  • sizzle
  • skeeviness
  • slacker
  • slam dancing
  • slasher
  • slavery
  • Sleaze
  • Sleepy
  • Slow Ride
  • smoking
  • snow
  • Snow White
  • sobriety
  • Social Message
  • social psychology
  • Society of Enjoyment
  • Sofia Coppola
  • soldier of fortune
  • Sonny Tufts
  • sophie marceau
  • soundwaves
  • South Ameri
  • South America
  • Southern Gothic
  • Southland Tales
  • Space
  • Species
  • spider baby
  • Spiderman
  • spirits
  • Spooky Behavior
  • sprituality
  • Stacey Nelkin
  • Stacie Ponder
  • Stacy Keach
  • Stagefright
  • Stanley Cavell
  • Stanley Kubrick
  • star wars
  • starship troopers
  • Starvation
  • steampunk
  • Stendahl
  • Stepford Wives
  • stephen king
  • steve de schavi
  • Steven Shaviro
  • Steven Soderbergh
  • Steven Spielberg
  • stock market
  • Stoner
  • Stoners
  • stop motion
  • Street Fighter
  • Strip Clubs
  • structuralism
  • submarines
  • Substitute
  • subtext
  • suburbia
  • Subversion
  • Succubus
  • Sue Lyon
  • suicide
  • Sunset Gun
  • Superheroes
  • supermodel
  • Supernatural
  • surfing
  • surrealism
  • Susan Doukas
  • susan foster kane
  • Susan Strasberg
  • Suspiria
  • Suzy Kendall
  • Svengali
  • Swedish
  • Swingers
  • Swinging
  • Sydney Pollack
  • Syfy
  • Sylvester Stallone
  • Sylvia Sidney
  • symbolism
  • syracuse
  • Syracuse University
  • tabs
  • Taissa Farmiga
  • Talia Shire
  • Talk Radio
  • tangerine dream
  • Tara Reid
  • tarantual
  • Targets
  • Tarzan
  • teachers
  • ted wilde
  • teenagers
  • telekinesis
  • Templars
  • Tenebrous Kate
  • Tennesse Williams
  • Terence Malick
  • Terence McKenna
  • Terminator
  • Termite Art
  • Terror
  • Terrorism
  • Terrorists
  • Terry Gilliam
  • Terry Southern
  • Texas
  • Thai
  • That's the Way it Is
  • THC
  • The Big Sleep
  • The Grey
  • the sentinel
  • the thing
  • Theater
  • Thelma Todd
  • theory
  • Theresa Russell
  • Third World
  • Thor
  • Ti West
  • Tibetan
  • Tiffany Bolling
  • Tim Burton
  • Time Dilation
  • Times Square
  • Timothy Carey
  • timothy dalton
  • Timothy Leary
  • titan
  • Titanic
  • Tokyo
  • Tom Atkins
  • Tom Cruise
  • Tom Fergus
  • Tom Hardy
  • Tommy Lee Wallace
  • Tony Clifton
  • Tony Montana
  • Tony Scott
  • Tor Johnson
  • Toshiro Mifune
  • totem
  • Tourists
  • Track 29
  • transgendered
  • Treasure Island
  • Trick R Treat
  • Trilby
  • trip
  • tripping
  • trippy
  • Tristana
  • tropics
  • trucks
  • true crime
  • trumpet
  • TV
  • TV Movie
  • Twilight
  • Udo Kier
  • UFOs
  • UHF
  • Ulysses
  • unborn
  • Uncle Tom's Cabin
  • unconscious
  • undead
  • unions
  • Universal
  • ursula andress
  • Uwe Boll
  • V for Vendetta
  • Vacation
  • Vagina Dentata
  • Val Lewton
  • Valerie and her week of wonders
  • Valerie Leon
  • values
  • vamipires
  • Vampira
  • vampire
  • vampires
  • Vanessa Howard
  • varney
  • Vegetarianism
  • Venice
  • Ventriloquism
  • venus flytrap
  • venus in furs
  • Vera Farmiga's sister
  • Veronica Lake
  • vertigo
  • VHS
  • vice
  • Victorian
  • Victory Jory
  • vietnam
  • Viggo Mortenson
  • Vince Gallo
  • Vincent Cassel
  • Vincent Price
  • Vincente Minnelli
  • Ving Rhames
  • vintage
  • vintage TV
  • violence
  • Violence cocaine
  • Violet
  • Virginia Bruce
  • Virginity
  • Voiceovers
  • voodoo
  • W. Somerset Maugham
  • W.C. Fields
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      • Peyote Rider: BLUEBERRY, i.e. RENEGADE (2004)
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