This issue: Brecht-Godard-Wood, linked circlets connecting the search for freedom through 'dislodging' cinematic signifiers and turning bare soundstages into ghost ships and surrealist basements. This year's stellar line-up batted down the plate and strewn orchids on the grave of logic.If through the issue you notice very little Godard, know this: Godard is in all things whether we speak of him or no. There is no going straight from Brecht to...
