achyutktelang blogspot

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

середа, 9 липня 2014 р.

Two hearts stab as one: Brian De Palma + Dario Argento (a Reptile Dysfunction)

Posted on 09:58 by jackichain

The critics say they're indebted to Hitchcock for their tropes, obsessions and subjects, but what I really see in Italian horror director Dario Argento and Italian-American suspense director Brian De Palma is a bizarre psychic twin connection, a shared reptile dysfunction that springs from Catholicism, ancient Rome, and the kind of scopophilia-driven sexual obsession (a good genre director must be obsessive, otherwise why bother?), all mingled into a love story linking across the oceans and continents from Rome to the USA, a round trippy immigrant passage between the mammalian higher brain's compassion and the cold cortex of unsocialized pre-empathic killer in all of us. De Palma has made a few films exploring this sort of split-subject connection (SISTERS, THE FURY, and RAISING CAIN) while Argento leans back on it for his dark fairy tale sensationalism, but he cast Jessica Harper for SUSPIRIA after seeing her in De Palma's PHANTOM OF THE PARADISE.

from top: Jessica Harper w/mic in PHANTOM OF THE PARADISE (De Palma);
Jessica Harper w/knife in SUSPIRIA (Argento)
And I didn't even know this when I started this post, but they were born the same month (September) of the same world war-ridden year (1940), six days apart. They are both Virgo, sign of the virgin, sign of obsession, poring over film strips and sound boards with the repressed energy of a thousand unreached orgasms!

Clara Calamai, Jacopo Mariani - DEEP RED
Both have been accused of objectification and misogyny due to their detailed gruesome violence against the female body. I used to agree with that diagnosis, but now I blame their reptile killer instincts on intense Italian mother-love and Catholic guilt ( Hitchcock, too, was Catholic), wherein Mom's giant hydra apron strings cling to their minds no matter how much their onscreen avatars hack at them, each new woman's body a tendril-tentacle. I've come to feel my own feminist ire is founded in my discomfort, the unbearable level of anxious dread and soggy liberal arts guilt that is what being a man is all about --the compulsory mammalian need to protect the women and children. When a camera doesn't look away from the horror wrought by our helpless positions as observers on the opposite side of the screen, feminists like myself blame the camera, the director for our discomfort seeing it. Better we should have our eyes gouged out than see such traumatic butchery! Rather than examine this response, we lash out, labeling the directors misogynist in a vain attempt to scrub the horror from our eyes.

But Argento and De Palma stare long and hard. Even if we gouged our eyes out they'd find a way to reach us with these images.

from top: SCARFACE, SUSPIRIA (see Mater Testiculorum)
They use similar post-modern effects, deconstructing their own misogyny and their audience's demands for blood; each goes deep into the human eye, ever searching for what lies past the inscrutable inky black roundness of the eye. Cameras, mirrors, photographs, film sets, stage sets, plays, taxidermy, and elements of performance abound. I generally don't like dream sequences, they're like vents in which to dump cheap manipulations and sudden shocks without the burden of context. That said, De Palma entrenches the two together so completely that one must allow it and in SUSPIRIA and INFERNO, Argento does away with waking life altogether. Occasionally a character comes up for air, drops by an outdoor parapsychology conference for some exposition, then its back down into the candy-Freudian murk.

from top: De Palma - CARRIE, Argento - INFERNO, De Palma -
DRESSED TO KILL, Argento - 4 FLIES ON GREY VELVET
Interesting too is that Argento's work has by critical consensus really sucked since 2001's SLEEPLESS, while at the same time De Palma's been pulling out of a sucky period (with 2002's FEMME FATALE), as if these aging auteurs sharing a pair of traveling genius pants. De Palma's been returning to his old haunts, where cheap raincoats, razors, masks, split screens, double cross media-blackmail-stalk-and-snap PEEPING TOM's media theory is coupled to a PSYCHO-style cross examination, and a psychiatrist's explanatory monologue wrapping the catalog of kinks back up in its brown wrapper before a final gotcha which often ends up being a dream within a dream, or was it (as in his recent PASSION). Argento's simply lost his rudder in the meantime, he's like he's just another late night Cinemax director with more attention to disturbing gore and less to the tropes, post-modern insights, and tricks for which we love him. Maybe it's because De Palma is making smaller movies that suit his fancies, while Argento seems laboring under the pressure of his name. Either way, and as an aside, this does not betray my grand theory that they are twins linked by some strange telepathy, like Amy Irving and Andrew Stevens in THE FURY (1977). 

Top: THE FURY (De Palma), botom: PHENOMENA (Argento)
None of this is to accuse either Argento or De Palma of being a mama's boy, a misogynist, or potential murderer (or worse, derivative of Hitchcock and each other to the point of near-identity theft), though in a way the critical backlash against the slasher movies, teen sex comedies of the early 80s helped usher in the PC-era. With feminist ire building in nearly everyone the blatantly phallic drill, endless softcore strutting and groping in De Palma's BODY DOUBLE (1984) was like an affront, the drill scene being exhibit A in the case he's a misogynist. In Argento's similar films, sexual fetishizing is never an issue, except as far as elaborating on the madness of the mother or father fixation which then (usually) triggers a schizophrenic break with reality.

Now that I'm older though, I see the misogynistic violence of De Palma and Argento through this same schizophrenic break prism, and realize only by expressing these wormy fantasies can we expel them. How many hydra apron strings were severed or unstuck or untangled thanks to PSYCHO (1960)? It made such a splash on its initial release that the ripples haven't ceased in 50 years - it changed the way America went to the movies and gave armchair psychologists now had a gold standard for the dangers of maternal suffocation. Who knows how many closeted or overprotected men would still be living at home and doing their mothers' toenails on a Saturday night if not for PSYCHO? It kicked them loose. Who knows where De Palma or Argento would be without it? PSYCHO snapped the 60s off at the shower curtain 50s root, and tossed it into the inky black pupil drain, where emaciated 20 year-olds like De Palma and Argento at the time, were waiting with their celluloid nets. 

Color-coded patterns from top (alternating De Palma/Argento):
 FURY, SUSPIRIA, RAISING CAIN, INFERNO,
UNTOUCHABLES, SUSPIRIA, PASSION, DEEP RED, FURY, 4 FLIES
MUSIC:

Naturally these psychic twins are not identical: Argento's psychoanalysis is perhaps deeper while De Palma is more into politics (Italy wasn't mired in Vietnam so Argento couldn't find his horror there). Argento's connection to music is more wryly contrapuntal than De Palma's, making innovative use of children's songs, whispering, percussion and even electric bass-driven funk from Goblin and Ennio Morricone. In DEEP RED, particularly a real break with convention is begun: swooning pop balladry as heads get slow motion sliced by shattered windshields--the glass a pop art snowstorm--and rattling nerve-grating, plastic cup echo-drenched percussion leaping into life and then stopping just as suddenly all just because David Hemmings steps on a bottle, then resuming just as abruptly when a shade falls--or accompanying an impromptu Daria Nicolodi vamp. This approach is the total opposite of the usual emotional-telegraphing of Hollywood, though De Palma gets great mileage out of Bernard Herrmann.

From top: NORTH BY NORTHWEST, DR. NO, the full ambiguity of
casual sex at its most chilling, and therefore truest.
Both both Argento and De Palma use romantic music in a subversive manner, riffing on the lovers-on-the-run style of Hitchcock's NORTH BY NORTHWEST (1959) by having romantic comedy tropes tossed nervously in with the suspense, sifting through the queasy mix of dread and attraction that occur during a casual hook-up, when the other person's hot but it's all happening a bit too fast to not seem suspicious (where only Connery era-Bond or Cary Grant can safely tread). Is that what happens when a charming sociopath puts their moves on you? The winding up in bed with them is carefully crafted to make you think it's chance and fate, the night conspiring to bring you together, but already they're allying you away from your old life with surgical expertise. Even if she doesn't end up boiling your rabbit, or he doesn't have someone's head in a box, it can still be dangerous.  It's like a romantic comedy is coming true and you think somehow you deserve it, that you make the mistake of rising above your class and habit, or lower than it --and the top and bottom are far closer than the middle. What would mother think? Something's not right. A grown man shouldn't be sitting down to martinis with executives at the 21 Club and then exclaim aloud, "I forgot to phone mother!"

from top: De Palma (DRESSED), Argento (BIRD), De Palma, Argento - etc.
BIRD, DRESSED
Over in the U.S, De Palma had Bernard Herrmann scoring a few of his last and De Palma's earlier films (SISTERS, OBSESSION), which cemented the Hitchcock connection, but genius of creating undulating nervous tension died with him, OBSESSION was his last. Even geniuses like Herrmann doesn't get how sweet romantic songs should accompany murders and suspense music play over romantic parts or that electric guitars and percolating Moogs are awesome under any scene; I've never been too crazy about the jazz music in TAXI DRIVER for that reason, it's like Herrmann doesn't get the ambivalence and Herzogian inscrutable stone face of the natural gods thing the way, say, Tangerine Dream got it for SORCERER. It takes a madness and the ability to convey the full breadth of that madness to another person so immediately they don't have time to pull away like you're crazy person. Wasn't that the genius of SILENCE OF THE LAMBS, that it opened us up to genuine madness at such an advanced level we didn't have time to formulate a defense?

It's only when De Palma hooks up with an Italian composer (Pino Donaggio, Giorgio Moroder, Ennio) that he captures the full potential of music in a film as more than just telling the audience what they should feel from moment-to-moment. When Frankie Goes to Hollywood wedge their "Relax" video into the middle of BODY DOUBLE (1987) it's audacious but sensationalistic and gaudy, the love child of the porn world in that film and the T&A-filled killer POV horror film John Travolta works on in BLOW-OUT (1981).

They see you (from top: DRESSED, DEEP RED)
MISOGYNY

Lest we forget, BODY made its starlet, Melanie Griffiths (Tippi Hedren's daughter), an overnight star and that Nancy Allen in DRESSED TO KILL uses her sexy body as a weapon to overwhelm the killers gaze. It's this idea of feeling exposed as the viewer that activates the killer hiding in plain sight within the viewer's "normal" psyche-- such as when the psychic 'sees' the murderer while on stage at the psychic conference in Argento's DEEP RED. 

In point of fact, part of the feminist arousal of ire stems from the anger at being forced to feel what the murders are depicting, not just from the stabbed side but the stabber, the horror and savagery of the murders leave their mark our murkiest reptilian recesses. But they are meant to be disturbing, to heighten our senses through fear. That is the correct reaction to these violent depictions and to presume it's not is to presume a vast nation of rain-coated social drop-outs who get off on seeing sexy women terrorized. The response of feminist outrage is connected to the same repressive mechanisms that motivate the killers in De Palma's DRESSED TO KILL and Argento's DEEP RED. Seeing themselves being seen, they freak out - like Argento and De Palma are doctors who touch these viewers in places within themselves they don't want to admit exist, so the urge is to sue for malpractice, to accuse of chicanery and no-goodnicks-ism. And brother, I know because I was one of those, as a sullen 13 year-old hearing with shock as my Sunday school teacher and his kids gleefully recounted the details of every murder in FRIDAY THE 13TH (1980), which they'd seen with his kids the previous night. 

The stuff that really traumatizes me now is the unconscious, casual violence of other films (like VACANCY or WOLF CREEK), that aren't necessarily good or scary but leave me damaged for days. Argento and De Palma are more compassionate in that the very idea of film violence obsesses them to the point that they can target and exorcise it through a double blind mirror-to-the-audience gaze reflector, such as the movie screen-shaped white art gallery entrance in THE BIRD WITH CRYSTAL PLUMAGE (below), or the (wider) screened window of De Palma's BODY DOUBLE (below that). We're given a profound and very arty illustration of the perverse appeal of such violence on the big screen, and the reason for our sometimes violent offense over it -- our urge to rush the screen and pull it down before the unthinkable happens. When I was young in the 70s-early 80s, seeing an R-rated murder like in SUSPIRIA or DRESSED TO KILL was the equivalent of a scary roller coaster, a rite of passage, something you needed friends to go to with (at the drive-in or dangerous downtown theater). But if the audience laughs and cheers the murder (as they would going down a roller coaster hill) and someone is there alone and sulky to review the film for the Times, would they not worry that these films are mere pornography for vicious misogynist freaks? I know that's what I would have felt. Because these murders also tap into our mammalian protective instincts, disrupting the thread of narrative immersion as best we can, causing us to scream at characters onscreen in helpless frustration. But our anger over their counterintuitive behavior is our attempt to shirk our responsibility as men, we want desperately to feel like the endangered woman brought it on herself for making so many counterintuitive decisions, to absolve us of the guilt that we couldn't be there, that her death onscreen is the result of our real-life absence from our own lives.

traversable screens - from top: Argento, De Palma, Hitchcock

METATEXTUALITY

But it's really the powerlessness of being tied (more or less) to our chair and unable to be heard through the screen (often represented in De Palma like a shower stall or rainy window), and guilty at our own bloodlust, the deep dark reptilian-dysfunctional part of our viewing brains (the type that eats their young and has no empathy), but it's simplistic to call that misogynist, because if we didn't feel that way, if we relished her weakness and bad choices as chances to strike then we have no mammalian brain. Do this and we reduce ourselves to the lonesome status of the reptile, rather than a mammal-reptile hybrid. As so often in Argento films, we shudder enough watching the stalkings and killings that we need our own avatar for that shuddering, someone similarly trapped outside the screen - unable to save and unable to look away - the reptile mind holding our eyes on the blood as well as the Ludovico Technique.

from top: CLOCKWORK ORANGE, OPERA
It's also true that when other artists tries to mix media theory and sex and violence, then giallo tropes can't help but appear--as in Irvin Kirshner's John Carpenter-scripted EYES OF LAURA MARS (1978), which somehow manages to be very Italian just by being into fashion and photography (via Helmet Newton) in New York. To incorporate cameras and films within films and musicians and sound engineers hearing something they shouldn't or seeing something they can't quite remember, is to enter a realm where De Palma and Argento can ace you in their sleep. And they understand something those other films don't that even Fulci and Bava don't mess with, (though I'd say the recent BERBERIAN SOUND STUDIO (2013) does, and Michel Soavi's 1987 STAGE FRIGHT ), the meta-framing of the performance of horror as a rite, an ancient re-enactment of pagan sacrifice older than modern civilization can even grasp but ever present in our DNA just waiting to come out.

children of meta giallo: BERBERIAN SOUND STUDIO, STAGEFRIGHT:
AQUARIUS, EYES OF LAURA MARS
SHARED MOTIFS:

AVENGING ANGELS and DEMONESSES: They might be scared and a victim but they shall rise, oh they shall.

from top: Argento, De Palma, Argento, De Palm -etc.
ART: art galleries and artist studios represent art as the crucial outlet to legitimize scopophiliac expression, allowing for more a broader palette of associative symbolism. Via headless statues and statue-less heads, Bosch and Bruegel, Escher and surrealists. Through art, Laura Mulvey's concept of the male gaze is equalized, or at least - broadened. It's where pornography goes legitimate or even further, into the realm I call the gaze of Mecha-Medusa (wherein the object looks back, freezing us with the uncanny, skeevy horror of our own initially lewd stare). See also: subliminal screens, metaphors for the immersive film viewing-experience, the mass hypnosis of the theater where for awhile we merge into a group mind caught in the grip of a crazy person.

 frpm top: STENDAHL SYNDROM, DRESSED TO KILL
Associative and literal misogynistic devouring / dismemberment / triggers

from top: Artento, De Palma, Argento, De Palma, Argento, etc.
There are other tangents and shared motifs:

BLINDNESS: blindness allows for heightened variations on the HVR or helpless viewer response (we can't help them across the street); fetish objects for objectifying scopophiliacs (they can't look back); seeing eyes are ever threatened by what they see (as in the blind men other matriarchal coven-ruled social order in the 1978 TVM, THE DARK SECRET OF HARVEST HOME --blindness as symbolic castration).

Argento x 2, De Palma x2
MIRRORS / DOUBLES: They fog, and when something or someone looks in them and freezes stock still, they become their own objects. DOUBLING is related to that --evil twins, and the inherent split of actors and characters (as in the split between the woman playing a terrified woman in a horror film, or literally split in the case of the body doubles in De Palma's BLOW OUT and BODY DOUBLE, figuratively in the separated twins of SISTERS or RAISING CAIN or the eerie similarity romances (someone looks just like someone else the protagonist was in love with and saw die-- stemming from VERTIGO - -Geneveive Bujold in OBSESSION, Melanie Griffith in BODY DOUBLE, Margot Kidder in SISTERS, the two raincoats in DRESSED TO KILL, and so forth.


PRIMARY COLOR SYMBOLISM: Deep Red is the color of menstruation, child birth, the link to sex and excitement, flushed cheeks, heat / dark blue the color of swollen wounds, the chill of the deep, dark death, etc.

DREAMS / DREAMLIKE FLASHBACKS: De Palma relies on them but drags them really slow and methodical and dream-like, without any dialogue and often backwards; Argento flashes to them now and then, more out of stories told or childhood memories of the asylum or before or after (where everyone acts like automatons). De Palma links dreams with horror movies worked on by characters of his movie (John Travolta in BLOW-OUT), or wordless operas, or the clockworkiness of Bergman's WILD STRAWBERRIES or Dali's dream clocks in SPELLBOUND and MOONTIDE.


CIRCULAR STAIRWAYS: Great for chase sequences and as symbolic of the 'descent' into the unknowable squirmy recesses of the subconscious.

frop top: Godard, Coppola, Argento, Argemto,  De Palma, De Palma

SOUND RECORDING: The visual screen is just part of it, of course. Coppola's THE CONVERSATION was hugely influential on both De Palma and Argento (the scopophilia kink extends to eavesdropping); eavesdrops through a listening device while the 'screen' of the detective's office is visible to the left. They both similarly took notice of Godard and Truffaut (as in the DON'T SHOOT THE PIANO PLAYER-style arc of BLOW OUT) whose incorporation of the recording studios and screening rooms they were using into the films themselves indicated an unhesitating post-modern bent. Godard, especially, began to show the workings of recording machines obsessively in his films, even if they were eventually spouting communist rhetoric.

From top: PEEPING TOM, REAR WINDOW, BLOW-UP, TAXI DRIVER
PHOTOGRAPHY: Antonioni's BLOW UP, Hitchcock's REAR WINDOW and Powell's PEEPING TOM are huge (obviously) influences to both directors. To a lesser extent, TAXI DRIVER (if Travis had a 16mm movie camera to point at the mirror and the pimps, imagine the movie he would make! It would look exactly like TAXI DRIVER!)

from top: DEEP RED, BIRD WITH CRYSTAL PLUMAGE, INFERNO
SUBLIMINAL SCREENS: De Palma is more obsessed with the hot female body threatened by the gaze (and threatening to it as well) while Argento is obsessed with childhood dreams, fairy tales elaborated into operatic tableaux (the automaton movements of the characters in the DEEP RED flashbacks, etc.) Argento's is more centered directly on metaphors for media viewing itself (note the way the shadows in the picture above makes the childhood drawing look like its projected on the wall or the radiated light from a TV, or a window (into the primal scene of a killer's squirmy mind); below that is the image from BIRD WITH CRYSTAL PLUMAGE: a theatrical screen-shaped door that the anxious writer can't cross to rescue the bloodied damsel (his desire to enter eventually results in a different screen toppling down on him like a slab); in INFERNO, the screen defenestrates the PURPLE ROSE OF CAIRO-style traverser.


For De Palma it's not the art house he recreates but the drive-in, the NASHVILLE or TARGETS or PATTON-style backdrop, such as the flag behind the climax of BLOW OUT or the blue behind Carrie at THE PROM (just as in SCREAM or THE RING it's not the theater or drive-in but the TV), like a kind of multi-media breakdown (the intern introducing the film festival is stabbed onstage right as she's announcing the after-screening Q&A).

I don't see anybody else here.
(from top: CARRIE, DRESSED TO KILL, TAXI DRIVER)
(for DRESSED witness two lights like eyes with Allen's sexy back the nose
and the phone the mouth, that's the Other!)
THE GONE-DEAD GAZE: De Palma's films are never, to my mind, as focused on art, instead dwelling more on politics and on the curvy flesh of hot girls and how the act of sex leaves one vulnerable; the orgasm as last rites; and the terror of that objectifying being reversed, of the woman desired returning the gaze, provoking a response which is always in direct relation to the viewer's fear of being viewed, of being judged by the image with the same ferocity with which we view it. Feminist critics attach too much power to the male gaze, seeing it as ownership, which is like wanting to arrest someone for looking at merchandise without buying it, for "owning it with his eyes" - the killer's look isn't the source of the homicide, it's power but only until the seen looks back, at which time the killer is as exposed as his intended victim, even if we in the audience don't see who it is, the person being attacked has seen As men we love to imagine what studs we'd be in the sack with some hottie we pass on the street. As long as she doesn't turn around and invite us upstairs for a tryst, we're safe in our delusion of male infallibility. But if she drops the pretense and offers or asks for sex, even the most courageous of studs will usually rear back like a startled mare --it's too sudden, too soon, we perceive it almost as a violent slap, we're like Medusa flashed by a mirror raincoat.

from top: 4 FLIES IN GREY VELVET, PSYCHO
And so it is that the ideal object that arouses or fascinates the killer is one that never looks back (portraits with the eyes cut out aside), allowing unchallenged staring. When the portrait of LAURA suddenly appears, in a raincoat and bad mood, the enchantment is instantly dispelled. The murderer's fantasy is to keep his prey from being able to return the gaze (by turning around, taking the killers' mask off, etc.) to becoming simply another object-- the vision of her killer reflected in her dead dilated pupils clears up like a post-PSYCHO shower bathroom mirror. Unless they scan the last image your eyeball saw and project it onto film (as in 4 FLIES ON GREY VELVET), or you come back from the grave, you'll never be able to make amends, divvy up your fortune, go through the seven stages of grief, hide your porn, or tell us who your murderer was. "Poof!" You are inanimate. God knows what strange pains and ecstasies such sudden death would bring as you soul wrenches loose from time, place, and space. I imagine it would depend a lot on your mood at the time whether there was a light to go into or not, and how many Ahmet-style demon dogs were waiting just off camera to devour your heathen soul the moment it pops free of our earthly plane. They sniffed out your soul's immanent arrival like a pack of bears plucking salmon from the river. God knows when, but the cinema of Argento and De Palma know those bears are coming, and prepared for the rending gnashing rip from the mortal coil to come.


Lastly, don't forget AMER (2009): perhaps so meta as to transcend narrative altogether, it presumes a certain familiarity with Argento and De Palma's oeuvre and their shared psycho-sexual roots as well as the distinctly Antonioni-esque experimental ambiguity where Jungian fairy tale subtexts go so deep down they come out the top like digging to China. One of the rare feature length films credited as being directed by a couple (she's French, he's Italian), the film is truly split, not just into three chapters but into experimental and narrative, not scene-by-scene but shot-by-shot, moment to moment, it's the ultimate - here the twins of fairy tale sexual psyche are united, the children of the giallo are born, and the unification of male and female halves make a unique whole, the fulfillment of the promise in Argento and De Palma's most dream-like works, distilled with all the plots and narrative weeded out. Glorious.
Надіслати електронною поштоюОпублікувати в блозіПоділитися в XОпублікувати у Facebook
Posted in archetypal, Brian De Palma, Dario Argento, David Hemmings, Ennio Morricone, fury, giorgio moroder, Italian, jennifer connelly, nancy allen, opera, psychic twins, reptile cortex, violence | No comments
Новіша публікація Старіша публікація Головна сторінка

0 коментарі:

Дописати коментар

Підписатися на: Дописати коментарі (Atom)

Popular Posts

  • Happy Birthday Cheryl Ladd!
    Today, it's Cheryl Ladd's birthday. Happy birthday to an underrated actress, sparkling beauty, sultry singer, and first-class Angel!...
  • John Monk Saunders' Flying Death Drive: THE LAST FLIGHT, EAGLE AND THE HAWK, ACE OF ACES, DAWN PATROL (vs. DRACULA)
    If you want to scoop deep into the real murky moral ambiguity of war, the heart of the heart of darkness, take to the air and hunt the pre-c...
  • CinemArchetype 20 - The 3 Sisters
    Three sisters --- immovable power.. the magic number...the trinity. A solid bloc of womanhood where sisters can't help but become witche...
  • Great Women of Horror: An Acidemic Top Ten
    So many of the top horror film bloggers are women it's not even fair to just say 'it's your month, baby.' Because they rule!...
  • 22 Films that prove 1933 was the greatest year for classic movies.
    Everyone cites 1939, year of Oz , Wind , and Grapes, as the best year in the history of movies, but not Acidemic. Here we know the best year...
  • Caretaker Sparkle and the Selfie Side: ROOM 237
    from top: "Autobiographical Nexusplation" (Erich collage), ROOM 237, THE SHINING. ROOM 237 is a lightning crack to the head; all i...
  • Are You Lonesome, Automaton: Terminator and Halloween vs. Hugo
    I am a mechanical man And I do the best I can Because I have my Family    -- Charles Manson ("Mechanical Man") Was it chance I saw...
  • All the Usual Vices: THE RUNAWAYS (2010)
    From a very pedestrian viewpoint, The Runaways were a scruffy chick rock L.A. version of that original pre-fab/anti-fab combo, the Sex Pisto...
  • Best Erich Writing of 2012
    It was a strange year, not least because the apocalypse we were hoping for in our darkest heart of hearts never occurred. So now here we are...
  • Prison of a Thousand Dimensions: GRAVITY, BUBBLE BOY, INSIDE LLEWYN DAVIS
    "P-P-Please Mr. Kennedy I don't wanna go (please don't shoot me into outer space) I sweat when they stuff me in the pressure su...

Categories

  • . Akim Tamiroff
  • 1930s
  • 1932
  • 1933
  • 1941
  • 1967
  • 1968
  • 1969
  • 1970s
  • 1970s dads
  • 1980s
  • 2001
  • 2012
  • 33.3
  • 70s
  • 70s Dads
  • 9 1/2 weeks
  • 9 monkeys
  • aa
  • Aaron Spelling
  • abbi jacobson
  • ABC
  • Abel Ferrara
  • abortion
  • abstraction
  • abuse
  • acid
  • acting
  • Action
  • actor's studio
  • actresses
  • Adam Roarke
  • Adam Sandler
  • Adam Wingard
  • Addiction
  • Adrian Pasdar
  • Adrienne Barbeau
  • adult
  • Adult Books
  • adultery
  • African
  • African American
  • After school special
  • Ahab
  • AIP
  • air-mail
  • airmen
  • airplanes
  • Akira
  • Akira Kurosawa
  • Al Jolson
  • Al Santos
  • alain robbe-grillet
  • Alan Arkush
  • Alan Ladd
  • albert finney
  • Albert Maysles
  • Alchemy
  • alcohol
  • Alcoholics Anonymous
  • Alcoholism
  • Alec Baldwin
  • Alexander Payne
  • Alexandra Breckenridge
  • Alexandra Hay
  • Alfred Hitchcock
  • Ali Larter
  • Alice in Wonderland
  • Alien
  • alien abduction
  • Alien conspiracy
  • alienation
  • aliens
  • Allegory
  • Allen Jenkins
  • Altamont
  • Amanda Warren
  • Ambiguity
  • America
  • American
  • American Horror Story
  • Amnesia
  • amok
  • amok animals
  • amos poe
  • amy allan
  • Anarchy
  • ancient rome
  • androids
  • Andrzej Zulawski
  • Andy Serkis
  • Angelina Jolie
  • Angelo Rossitto
  • Anima psychosis
  • animals
  • Animus
  • Anita Loos
  • Anita Pallenberg
  • Ann Revere
  • Anna Carlisle
  • Anna Christie
  • anna karina
  • Anna May Wong
  • Anna Paquin
  • Anna Sten
  • Anne Francis
  • Anne Hathaway
  • annet mahendru
  • Antichrist
  • Anton Grot
  • Antonioni
  • anxiety
  • apocalypse
  • April Fools
  • Aquarius
  • Arabs
  • Archetpyal
  • archetypal
  • Archetypal Psychology
  • archetype
  • Argentina
  • Argento
  • Armageddon
  • Arnold Schwarzenegger
  • Arous
  • art
  • art scene
  • Arthur Hunnicutt
  • asa butterfield
  • Asexuality
  • asherah
  • ashley cahill
  • Asia Argento
  • astronaut
  • audio mimesis
  • Aurora
  • Automaton
  • Ava Gardner
  • Avengers
  • aviation
  • awesome horror
  • Ayahuasca
  • ayuhuasca
  • Aziz Anzari
  • Baader-Meinhof
  • Baby Doll
  • Backwoods
  • Bad
  • bad faith
  • balls
  • ballyhoo
  • BAM
  • Barbara Crampton
  • Barbara Hershey
  • Barbara Stanwyck
  • Baroque
  • Barry Shear
  • bars
  • Barton Fink
  • Basil Rathbone
  • basquiat
  • Batman
  • Batman Returns
  • Baudrillard
  • bawdy
  • beaches
  • Beards
  • beatles
  • Beatrice Dalle
  • Beckett
  • Bela Lugosi
  • Bella
  • Ben Hecht
  • Benicio Del Toro
  • bergman
  • Bertolt Brecht
  • Best of decade
  • Bette Davis
  • Betty Blue
  • bi-polar
  • Big Liebowski
  • Big Red One
  • Big Sur
  • Bikers
  • Bill Clinton
  • Bill Gunn
  • billie piper
  • Bing Crosby
  • Biography
  • birth
  • bisexual
  • Black
  • Black Cat
  • black comedy
  • Black Dahlia
  • Black Metal
  • Black Star
  • blackface
  • Blacklist
  • blade runner
  • blank generation
  • blaxploitation
  • Bleeding Skull
  • Blind Dead
  • Bloggers
  • Blondes
  • blood
  • blue meanings
  • Blueberry
  • Bob Geldoff
  • bob guccione
  • Bob Hope
  • Bohemian Grove
  • Bombshell
  • Bon Rafelson
  • bondage
  • Bonnie Brown
  • boondoggle
  • bootleggers
  • bootlegging
  • Boris Karloff
  • bourgeois
  • bowery
  • Brad Pitt
  • Bradley Cooper
  • Brain
  • brain damage
  • brainwashing
  • Bramwell Fletcher
  • Brazil
  • Brecht
  • Breillat
  • Brenda Wiley
  • Bret Easton Ellis
  • Brian Cox
  • Brian De Palma
  • Brian Donlevy
  • Brian Glazer
  • Brian Wilson
  • Bright Lights
  • Brit Marling
  • British
  • broad city
  • Broderick Crawford
  • Brooke Shields
  • Bruce Lee
  • Bruce McCall
  • Bruce Willis
  • Bruno Forzani
  • Bruno Ve Sota
  • Buddha
  • Buddhalution
  • Buddhism
  • Bueno Aires
  • Buenos Aires
  • Bugs Bunny
  • Burl Ives
  • Burma
  • Burns and Allen
  • Burt Lancaster
  • burt reynolds
  • Busby Berkeley
  • Busby Berkley
  • Buster Crabbe
  • Cabin Fever
  • Caligula
  • camille paglia
  • camp
  • Camping
  • Canada
  • Canadian
  • Candace Hilligoss
  • Candice DeLong
  • Cannibalism
  • Cannibals
  • capital crime
  • Capitalism
  • Cappucine
  • Carey Mulligan
  • Carlos
  • Carmen Sternwood
  • Carmilla
  • Carol Channing
  • Carole Lombard
  • Caroll Baker
  • Carrie
  • carrie white burns in hell
  • Carroll Baker
  • Cartoons
  • Cary Grant
  • Casablanca
  • Casey Anthony
  • casinos
  • Cassavettes
  • castavet
  • castration
  • Cat Women
  • Cate Blanchett
  • catherine deneuve
  • Catherine Keener
  • Catherine Mary Stewart
  • Catherine Zeta Jones
  • Catholicism
  • Catholics
  • Cecil B. DeMille
  • Cesca
  • CGI
  • Channing Tatum
  • Charles Bickford
  • Charles Coburn
  • Charles Dickens
  • Charles Farrell
  • Charles Haid
  • Charles Kaufman
  • Charles Laughton
  • Charles MacArthur
  • Charles Manson
  • Charlie Bronson
  • Charlie McCarthy
  • Charlie Sheen
  • Charlies' Angels
  • Charlize Theron
  • Charlotte Gainsbourg
  • Charlotte Rampling
  • Cheap Trick
  • Cheech and Chong
  • Cher
  • Cherie Curie
  • Cheryl Ladd
  • chick flick
  • childhood
  • children
  • Children's Hospital
  • Children's liberation movement
  • Chile
  • Chloe
  • Chloe Grace Moretz
  • Chris Hemsworth
  • Chris Nolan
  • Chrisopher Lloyd
  • Chrisopher Walken
  • Christ
  • Christendom
  • Christian Bale
  • Christianity
  • Christina Rosetti
  • Christmas
  • Christophe Waltz
  • Christopher Jones
  • Christopher Lee
  • Christopher Nolan
  • chronicle
  • chthonic
  • Chuck Norris
  • cia
  • Cibo Matto
  • Cinematography
  • Cinq au sept
  • citizen kane
  • City Gardens
  • Civil War
  • Claire Denis
  • Clara Bow
  • Clarence Brown
  • Clarence Muse
  • Clark Gable
  • classic horror
  • Classism
  • Claude Raines
  • Claude Rains
  • Claudette Colbert
  • Cliff Robertson
  • Clint Eastwood
  • clitorectomy
  • cocaine
  • cockblocking
  • Cocoa Cola
  • Cocteau
  • Coen brothers
  • Coffy
  • Coke Ennyday
  • Cold War
  • Colin Farrell
  • Colin Firth
  • collagen
  • colonialism
  • Colorado
  • Columbia
  • Comedy
  • Comedy horror
  • Communism
  • computer games
  • Conan
  • conan barbarian
  • Confederacy
  • conflict diamonds
  • Conrad Veidt
  • conservativism
  • conspiracy
  • Constance Bennett
  • controversy
  • Coppola
  • Copyright issues
  • Cormac McCarthy
  • Cornell Woolrich
  • Corruption
  • Counterculture
  • Country Joe
  • Cpnspiracy
  • crack
  • Craig Robinson
  • crank
  • crazy
  • Creepshow
  • Crestwood
  • Crime
  • criterion
  • Critics
  • Cryogenics
  • Crypto-fascism
  • crystal skull
  • Cul-de-sac
  • cults
  • cultural theory
  • Curtis Harrington
  • Cyd Charise
  • Czech new wave
  • daimonic reality
  • Dakota Fanning
  • Dan Curtis
  • Dance
  • Dance marathon
  • dancing
  • Daniel Ekeroth
  • Daniel McBride
  • Daniel Plainview
  • Daniel Radcliffe
  • Danny Trejo
  • Dario Argento
  • Darionioni Nuovo
  • Dark Secret of Harvest Home
  • Dark Shadows
  • Darwin
  • Dashiell Hammett
  • Daughter Italian Ripp London Ralph Bates Susan Brodrick
  • Daughter of Horror
  • Dave Chapelle
  • David Brandon
  • David Cronenberg
  • David Cross
  • David Del Valle
  • David Fincher
  • David Hemmings
  • David Icke
  • David Letterman
  • David Lynch
  • David Niven
  • David O Russell
  • Dazed and Confused
  • DC Comics
  • Dead
  • dead files
  • Deadgirl
  • Deadly Women
  • Dean Martin
  • Dean Stockwell
  • death
  • death drive
  • death fetishist
  • Deborah Kerr
  • decadence
  • decapitation
  • Defection
  • Dellamorte Dellamore
  • Delphine Seyrig
  • Dementia
  • Demi Moore
  • Demons
  • denise richards
  • Denmark
  • dennis hopper
  • Depression
  • Desert
  • Detective Magazines
  • Detectives
  • detournement
  • Devil
  • Devil Commands
  • devouring other
  • Diablo Cody
  • Diane Keaton
  • diane selwyn
  • Diane Varsi
  • DIaspora
  • Dick Foran
  • Dick Powell
  • Dinah Shore
  • dinners
  • Dino De Laurentiis
  • Dino De Laurentis
  • dinosaurs
  • disaster
  • disillusionment
  • Disney
  • DMT
  • DNA
  • Dogme 95
  • dogs
  • Dogville
  • Dolores Del Rio
  • Dolores Fuller
  • Dolph Lundgren
  • Domestic violence
  • Dominique Strauss-Kahn
  • Dominique Swain
  • Domino Harvey
  • Don Coscarelli
  • Don Rickles
  • Donal Cammell
  • Donald Pleasance
  • Dopey
  • Dorothy Lamour
  • dostoyevsky
  • Douglas Fairbanks
  • Douglas Fairbanks Jr.
  • downtown
  • Dracula
  • dreams
  • Drew Barrymore
  • drinking
  • drinking games
  • Drug addiction
  • drugs
  • Drunken Monkey
  • Duane Jones
  • duff gardens
  • Duke Ellington
  • Dustin Hoffman
  • Dusting Hoffman
  • DW Griffith
  • dwarfs
  • Dyatlov Pass
  • Dylan
  • Dylan Baker
  • Dylan McDermott
  • dystopia
  • Eagles
  • East Germany
  • ecological horror
  • Ed Dorado
  • ed wood
  • eddie nugent
  • Edgar Allen Poe
  • Edgar Bergen
  • Edgar Ramirez
  • Edgar wright
  • Edmund Goulding
  • Edmund Lowe
  • education
  • Edward Arnold
  • Edward Dmytryk
  • Edward Everett Horton
  • Edwige Fenech
  • Ego
  • Egypt
  • Egyptology
  • eisa gonzalez
  • el rey
  • Eli Wallach
  • Eliza Dushku
  • Elizabeth Hurley
  • Elizabeth Taylor
  • Ellen Burstyn
  • Ellen Page
  • Elliot Gould
  • Elliot Nugent
  • Elm Street
  • Elvis
  • Elvis Presley
  • EMA
  • Emily Blunt
  • Emily Watson
  • Emir Kusturica
  • Emma Roberts
  • emperor
  • Endless Love
  • England
  • Enlightenment
  • Ennio Morricone
  • ennui
  • ensemble
  • environmentalism
  • Eric Jonrosh
  • Eric Romer
  • Erich Kuersten
  • Erich von Stroheim
  • Errol Flynn
  • escorts
  • Espionage
  • Eugene O'Neill
  • Europe
  • European
  • Eva Green
  • Eva Mendes
  • Evan Peters
  • Evil
  • evolution
  • excess
  • Existenitalism
  • existential
  • Existentialism
  • Exorcist
  • exotica
  • Experience
  • experimental
  • Exploitation
  • Eyes of Laura Mars
  • Facebook
  • Fairuza Balk
  • fairy tale
  • fairy tales
  • Fakery
  • family drama
  • family dynamics
  • fantasy
  • Fanu
  • farce
  • Farrah Fawcett
  • fascism
  • Fashion
  • Fassbinder
  • Fate
  • fatherhood
  • Fay Adler
  • Fay Wray
  • Faye Dunaway
  • Female Convict Scorpion
  • feminism
  • Fernando De Leo
  • Ferris Bueller
  • Fight Club
  • Film Critics
  • Film Forum
  • Film Noir
  • film preservation
  • Film Theory
  • films
  • Final Destination
  • first national
  • Five Stairsteps
  • five to seven
  • Florence
  • Florence and the Machines
  • Flower Power
  • Folk
  • folk music
  • fool
  • Ford Beebe
  • Forest
  • France
  • Frances Dee
  • Francis Ford Coppola
  • Franco Nero
  • Franco Zeffirelli
  • Francois Dorleac
  • Frank Morgan
  • Frank Sinatra
  • frankenstein
  • Frankenstenia
  • Franklin Pangborn
  • freaks
  • Fred Ward
  • Freddy Kruger
  • Frederic March
  • free love
  • freebase
  • French
  • french girls
  • French New Wave
  • french revolution
  • freud
  • Freudian
  • Fritz Lang
  • Fritz Lieber
  • frostbite
  • Fulci
  • Fundamentalism Christianity
  • fury
  • Fuzzy Night
  • gaby hoffmann
  • Gale Sondergaard
  • gambling
  • Gang violence
  • gangster
  • Gangsters
  • Gary Cooper
  • Gary Morris
  • Gary Oldman
  • Gaspar Noe
  • Gender
  • gender issues
  • gender reassignment surgery
  • Gene Evans
  • Gene Kelly
  • Gene Tierney
  • George Bernard Shaw
  • George C. Scott
  • George Chakris
  • George Clooney
  • george harrison
  • george lazenby
  • George Peppard
  • George Reed
  • George Romero
  • George Sanders
  • George Zucco
  • Georgina Reilly
  • German Expressionism
  • Germans
  • Germany
  • ghost america
  • ghosts
  • Ghoulardi
  • giallo
  • giant spider
  • Giant Spiders
  • Gig Young
  • gigolo
  • gillian robespierre
  • gin
  • Ginger Rogers
  • ginger snaps
  • giorgio moroder
  • Giovanni Lombardo Radice
  • girl power
  • Girls
  • Glasgow
  • Glenda Farrell
  • Glenda Jackson
  • Globalization
  • Gloria Stuart
  • Go Ask Alice
  • God
  • Godard
  • Godfather
  • Godzilla
  • Golden Turkey
  • Golem
  • Gone With the Wind
  • Gonzo
  • Goodfellas
  • Gore
  • Gore Vidal
  • Gort
  • Goth
  • Gothic
  • Government
  • Graveyard
  • gravity
  • Great Britain
  • great depression
  • greed
  • greenwich village
  • Gregory Peck
  • Gregory Ratoff
  • Greta Garbo
  • greys
  • Grindhouse
  • Grizzly Adams
  • Groucho Marx
  • Guggenheim
  • guide
  • gunfights
  • Guns
  • Guru
  • guy debord
  • Gwenyth Paltrow
  • Gwili Andre
  • H.G. Welles
  • habitat
  • Haight-Ashbury
  • HAL 9000
  • Hal Holbrook
  • Halloween
  • hallucinations
  • Hammer
  • handheld horror
  • Hanging Man
  • Happiness
  • Harlem
  • Harold Robbins
  • Harrison Ford
  • Harry Hamlin
  • Harry Nilsson
  • Harvey Keitel
  • haters
  • haunted house
  • hauntings
  • Hazel Court
  • Heather Graham
  • heaven
  • Heckler
  • Helen Hayes
  • Helena Bonham Carter
  • Helene Cattet
  • Hell
  • Hell's Angels
  • henri clouzot
  • Henry Fonda
  • Henry Hill
  • Herbert Marshall
  • Herk Harvey
  • heroin
  • Herschel Gordon Lewis
  • High School
  • highway safety
  • hillbillies
  • Hills Have Eyes
  • Hinduism
  • hippies
  • Hipster
  • hit girl
  • Hitler
  • holidays
  • Hollywood
  • Hollywood Haunted Babylon
  • hollywood sewing circle
  • Hollywood USA
  • Homophobia
  • homosexuality
  • hope lange
  • horror
  • Horror Demons Monsters Hippies Sex
  • Horror films
  • horror screenwriter
  • Horror terror
  • horses
  • hospitals
  • Howard Hawks
  • Howard Hughes
  • Hubris
  • Hugh Herbert
  • Hugh Jackman
  • Hugo Weang
  • Humphrey Bogart
  • Hundustani
  • Hunger
  • hungry charlie's
  • Hunter S. Thompson
  • Huntsman
  • Hurt Locker
  • Hypnotism
  • Hypocrisy
  • Hysteria
  • Ian McKellen
  • Ice Age
  • IFC
  • ilana glazer
  • Ilsa She-Wolf of the SS
  • imitators
  • immortality
  • imperialism
  • In Bruges
  • incest
  • incompetence
  • indecent
  • Indiana Jones
  • Indie
  • Inept
  • infringement
  • Ingrid Bergman
  • Inishmore
  • initiation
  • Insanity
  • Internet
  • intolerance
  • intoxication
  • Isabelle Adjani
  • Italian
  • Italian-American
  • Italy
  • J. Edgar Hoover
  • jack arnold
  • Jack Benny
  • Jack Hill
  • Jack Nicholson
  • Jack Nitzsche
  • Jack Torrance
  • Jackie Coogan
  • Jackie Earle Haley
  • Jackie Gleason
  • jacobean
  • Jacques Dutronc
  • jake gyllenhaal
  • james bond
  • James Caan
  • James Cagney
  • James Cameron
  • James Coburn
  • James Davidson
  • James Deen
  • James Fox
  • James Franco
  • james huberty
  • James Mason
  • James McHattie
  • James Taylor
  • James Toback
  • James Watkins
  • James Whale
  • jamie dornan
  • Jamie Lee Curtis
  • Jan De Bont
  • Jane Asher
  • Jane Birkin
  • Jane Campion
  • Jane Fonda
  • Janet Leigh
  • Janice Rule
  • janos
  • Japan
  • Japanese
  • Jaqueline MacInnes Wood
  • Jason Patric
  • Jason Reitman
  • Javier Bardem
  • Jay Baruchel
  • Jazz
  • Jean Claude Van Damme
  • Jean Harlow
  • Jean Luc Godard
  • Jean Michel Gondry
  • Jeff Bridges
  • Jeff Goldblum
  • Jeff Morrow
  • Jemima Kirke
  • Jennifer
  • jennifer connelly
  • Jennifer Jones
  • Jennifer Lawrence
  • Jennifer's Body
  • jenny slate
  • Jeremy Renner
  • Jerry Lewis
  • Jess Franco
  • Jesse Eisenberg
  • Jessica Alba
  • Jill Banner
  • Jim Breuer
  • Jim Crow
  • Jimi Hendrix
  • jimi page
  • Jimmy Page
  • Joan Blondell
  • Joan Collins
  • joan crawford
  • Joan Jett
  • Joan of Arc
  • Joanne Woodward
  • Joe Cocker
  • Joe E. Brown
  • Joe Kubert
  • joe massot
  • Joe Pesci
  • joel mccrea
  • Joel Schumacher
  • john agar
  • John Barrymore
  • John Bonham
  • John Carpenter
  • John Carradine
  • John Cusack
  • John Cusak
  • John Ford
  • John Garfield
  • John Gilbert
  • John Goodman
  • John Heard
  • John Huston
  • john lennon
  • john lurie
  • John Malkovich
  • john monk saunders
  • John Parker
  • John Phillip Law
  • John Sebastian
  • John Stahl
  • John Wayne
  • Johnny Depp
  • joint
  • Joker
  • Jon Beller
  • Jon Voight
  • Jonas Cord
  • Josef Von Sternberg
  • Joseph Campbell
  • Joseph McCarthy
  • Josh Brolin
  • josh hartnett
  • Joshn Brolin
  • Jude Law
  • Judi Bowker
  • judi dench
  • Judy Davis
  • Judy Garland
  • Julia Roberts
  • Julian Barett
  • Julianne Moor
  • Julie Bishop
  • Julie Harris
  • Juliette Lewis
  • Jung
  • Jungian
  • jungle
  • junk
  • Juno Temple
  • Jurgen Prochnow
  • Justin Timberlake
  • Juvenile Delnquency
  • kali
  • karate
  • Karen Morely
  • Karina Longworth
  • Karl Malden
  • Karyn Kusama
  • Kate Bosworth
  • Kate Jackson
  • Kate Valk
  • Kate Winslet
  • Kathryn Bigelow
  • katniss
  • Katrina Bowden
  • Kay Francis
  • Keira Knightley
  • Keith Richards
  • Kelli Maroney
  • Ken Russell
  • Kenneth Anger
  • Ketamine
  • Kevin Smith
  • KGB
  • kiefer sutherland
  • Kiele Sanchez
  • Kiera Knightley
  • Killer Whale
  • Kim Morgan
  • Kim Novak
  • Kimberly Linn
  • Kirsten Dunst
  • Klaus Kinski
  • Klute
  • Kristen Stewart
  • Kristen Wiig
  • Kristina Lokken
  • Kubrick
  • Kurt Russell
  • La Cava
  • la nouvelle justine
  • lacan
  • lacanian
  • Lake Bell
  • Lambda
  • Lana del Rey
  • Lana Turner
  • Lance Rock
  • language barriers
  • Lars Von Trier
  • Las Vegas
  • last year at marienbad
  • Laura La Plante
  • Lauren Bacall
  • Laurence Olivier
  • Le Tigre
  • Led Zeppelin
  • Lee Marvin
  • Lee Tracy
  • legalize it
  • Lena Dunham
  • Leni Riefenstahl
  • Leo Carrillo
  • Leo Di Caprio
  • Leonardo Dicaprio
  • Les Grossman
  • lesbian
  • Lesbian Sex
  • Lesbianism
  • Lesbians
  • Leslie Nielsen
  • Let's Scare Jessica to Death
  • lewd
  • Lewis Carroll
  • Liam Neeson
  • Lili Taylor
  • Lililan Gish
  • Lily Damita
  • limousines
  • Linda Fiorentino
  • lindsay lohan
  • Lionel Atwill
  • Lionel Barrymore
  • Lionel Stander
  • liquid karma
  • Lisa Houle
  • Liz
  • lizard queen
  • llewyn davis
  • Lohengrin
  • Lolita
  • Lon Chaney Jr.
  • Lon Chaney Sr.
  • London
  • Lord Lhus
  • Lord of the Rings
  • Loretta Yong
  • loretta young
  • Lorne Michaels
  • Lorraine Warren
  • Los Angeles
  • Lotte Lenya
  • louise fazenda
  • Love
  • lsd
  • Lubitsch
  • Luc Besson
  • Lucien Prival
  • Lucille Ball
  • Lucio Fulci
  • Lucretia Martel
  • luis bunuel
  • Luke Jordan
  • Lupe Velez
  • lycanthrope
  • lydia lunch
  • lynch mobs
  • Lynn Lowry
  • M. Night Shyamalan
  • Macbeth
  • Mad Men
  • Madge Evans
  • Madness
  • Mae West
  • Mafia
  • magic
  • Magnificent Ambersons
  • Mako
  • malcolm lowry
  • malcolm mcdowell
  • Mamas and the Papas
  • Mandy Moore
  • Manhattan
  • Manny Farber
  • Manson
  • mantis aliens
  • Marg Helgenberger
  • Maria Montez
  • Marian Marsh
  • Marianne Faithfull
  • Marie Antoinette
  • marijuana
  • Marilyn Monroe
  • Mario Bava
  • Mark Frost
  • Marki Bey
  • Marlene Clark
  • marlene dietrch
  • Marlene Dietrich
  • marlon brando
  • Marni Nixon
  • Marnie
  • Marquis de Sade
  • Martial Arts
  • Martin McDonagh
  • Martin Ransohoff
  • Martin Scorsese
  • Martine Beswick
  • martyrdom
  • Marvel
  • Marwencol
  • Mary Astor
  • Mary Shelly
  • Mary Woronov
  • masculinity
  • Masochism
  • masonic
  • masons
  • Matador
  • Matango
  • Materialism
  • matriarchy
  • Matt Dillon
  • Matthew Wilder
  • Maureen O'Hara
  • Max Ophuls
  • Max Rosenblum
  • Maya Deren
  • Maya Rudolph
  • McGowan
  • media studies
  • medical
  • Megan Fox
  • Meghan Wright
  • Meiko Kaji
  • Melies
  • Melissa Sue Anderson
  • melodrama
  • memoir
  • memory
  • Mercedes de Acosta
  • Mesa of Lost Women
  • mescaline
  • meta
  • metaphysics
  • metatextuality
  • meth
  • Mexican Mud Band
  • MGM
  • mia farrow
  • Michael Blodgett
  • Michael Caine
  • Michael Cera
  • Michael Corleone
  • michael fassbender
  • Michael Lang
  • Michael Madsen
  • Michael Mann
  • Michael Myers
  • Michael Remar
  • Michael Shannon
  • Michael Smiley
  • Michele Soavi
  • Mick Jagger
  • mick lasalle
  • mid-life crisis
  • Mike Hammer
  • Mike Myers
  • Military
  • Milla Jovovich
  • Milla Jovovitch
  • Mimsy Farmer
  • mind control
  • minnie castavet
  • Minotaur
  • miranda frost
  • Miriam Hopkins
  • Misandry
  • miscegenation
  • Mischa Auer
  • misogynist
  • misogyny
  • Mitt Romney
  • MK Ultra
  • Mobsters
  • Moby Dick
  • Moira Shearer
  • Monarch
  • Monica Lewinsky
  • Monica Vitti
  • Monkees
  • monkeys
  • Monogram
  • monster
  • monsters
  • Monte Hellman
  • Monterey Pop
  • Montgomery Clift
  • morality
  • morphine
  • Mortimer Snerd
  • Mothra
  • Muhammed Ali
  • Mummies
  • Murder
  • murder comedy
  • mushrooms
  • music video
  • Musical
  • musicals
  • Mutations
  • Myrna Loy
  • Mystery
  • mysticism
  • Myth
  • Nabokov
  • Naked
  • Naked Lunch
  • nancy allen
  • Nancy Grace
  • Nancy Loomis
  • Natalie Portman
  • Natasha Henstridge
  • Native Americans
  • nature
  • nautical
  • Nazis
  • Near Death Experiences
  • Neil La Bute
  • Neile Adams
  • nerve profiles
  • netflix
  • new earth army
  • New York City
  • Nic Cage
  • Nicholas Ray
  • Nicholas Roeg
  • Nick Gilder
  • Nick Redfern
  • Nicolas Cage
  • Nicolas Winding Refn
  • Nicole Kidman
  • Nietzsche
  • Nigeria
  • no girlfriends
  • Noel Francis
  • Nora von Waldstätten
  • Nordic
  • Nordics
  • Norma Shearer
  • Nostradamus
  • nouvelle vague
  • Novelists
  • Nude
  • Nudity
  • NYC
  • nymphomania
  • Obama
  • obelisk
  • obituary
  • obscenity
  • Obsession
  • occult
  • ocean
  • Oh Calcutta
  • Oliver Assayas
  • Oliver Stone
  • Olivier Assayas
  • olympiad
  • Omar Bradley
  • ona munsen
  • Ontario
  • opera
  • opium
  • Orca
  • orgy
  • orientalism
  • Orson Welles
  • Oscarbait
  • Otis Redding
  • Otto Preminger
  • overacting
  • overdose
  • Owen Wilson
  • ozone
  • Pacific Northwest
  • Paddy Chayefsky
  • Paganism
  • palpatine
  • Pam Grier
  • Paranoia
  • Parenting
  • Paris
  • Paris Hilton
  • Party
  • pastiche
  • Pastorale
  • Patriarchy
  • Patricia Arquette
  • Patricia Ellis
  • Patrick Harpur
  • Patriotism
  • Patton
  • Paul Garratt
  • Paul McCartney
  • Paul Newman
  • Paul Robeson
  • Paul Ryan
  • Paul Schrader
  • Paul Thomas Anderson
  • Paul Walker
  • Paula E. Shepherd
  • Paula Prentiss
  • Paulette Goddard
  • Paulina Porizkova
  • Pedophiles
  • Pedro Almodovar
  • Peggy Hopkins Joyce
  • Penelope Cruz
  • Penitentiary
  • penny dreadful
  • penthouse
  • People Next Door
  • Performance
  • permeability
  • Pert Kelton
  • perversion
  • Peter
  • Peter Bogdanovich
  • Peter Brandt
  • Peter Cushing
  • Peter Fernando
  • peter fonda
  • Peter Lorre
  • Peter O'Toole
  • Peter Sellers
  • Peter Weller
  • petit-bourgeois
  • Peyote
  • Phil Hartman
  • Phillip Baker Hall
  • Phillip Seymour Hoffman
  • picnic at hanging rock
  • Pink Floyd
  • Pirates
  • PJ Harvey
  • PJ Soles
  • plague
  • Platonic love affairs
  • poetry
  • Poison Gas
  • Poland
  • Police
  • Political Anal father
  • Political Analogy
  • Politicians
  • Politics
  • Popeye
  • Poppers
  • poppies
  • Population control
  • porn
  • pornography
  • Portia Doubleday
  • post-apocalyptic
  • Post-code
  • Post-Modernism
  • pot
  • power
  • PRC
  • pre-code
  • pregnancy
  • President
  • Preston Sturges
  • pretentiousness
  • preversion
  • Prince Prospero
  • Production Code
  • prohibition
  • prometheus
  • promiscuity
  • prostitution
  • protests
  • pscyhe
  • psychedelia
  • psychedelic
  • psychedelics
  • psychic twins
  • Psychology
  • Psychopaths
  • psychotronic
  • psycology
  • Public Domain
  • Punch-Drunk Love
  • quatermass
  • Quentin Tarantino
  • Race
  • Rachel Weisz
  • racism
  • Radley Metzger
  • Ralph Bellamy
  • Ralph Meeker
  • Ramones
  • randy moore
  • Randy Newman
  • Raoul Walsh
  • Rape
  • Rapture
  • Raquel Welch
  • Rare
  • Ravenna
  • Ravi Shankar
  • Ray Bolger
  • Ray Milland
  • Raymond Chandler
  • reality
  • Rebekah del Rio
  • recuperation
  • red cross
  • Redheads
  • Rednecks
  • Reece Shearmith
  • Regicide
  • Reincarnation
  • remake
  • remarriage
  • Renny Harlin
  • repression
  • reptile cortex
  • Reptilians
  • Republicans
  • Repulsion
  • retro
  • Revolt
  • Rhada Mitchell
  • Ricardo Cortez
  • richard barthelmess
  • Richard Basehart
  • Richard Burton
  • Richard Dix
  • Richard Gere
  • Richard Harris
  • richard hell
  • Richard Kelly
  • Richard Linklater
  • Richard Matheson
  • Richard Nixon
  • Richard Pryor
  • Richard Rush
  • ridley scott
  • riots
  • ritual
  • RKO
  • RNC
  • Rob Zombie
  • Rober De Niro
  • Robert Altman
  • Robert De Niro
  • Robert e. howard
  • Robert Evans
  • Robert Mitchum
  • Robert Montgomery
  • Robert Pattinson
  • Robert Plant
  • robert rodiguez
  • Robert Ryan
  • Robert Siodmak
  • Robert Wagner
  • Robert Wise
  • Robots
  • rock
  • rodeo
  • roger corman
  • Roger Ebert
  • Roger Vadim
  • Roger Waters
  • Roger Wnslet
  • Roland Emmerich
  • Rolling Stones
  • Roman Coppola
  • Roman Polanski
  • Romance
  • rome 78
  • Romero
  • Romy Schneider
  • roost
  • Rory Cochrane
  • Rosamund Pike
  • Rosemary
  • Roswell
  • roy abramsohn
  • roy batty
  • roy scheider
  • royalties
  • Rubber
  • Rudy Vallee
  • Rudyard Kipling
  • Runaways
  • Rural
  • Russ Meyer
  • Russia
  • Russian spies
  • Russians
  • Rutger Hauer
  • Ruth Chatterton
  • ruth gordon
  • rutledge
  • Ryan Gosling
  • sacrifice
  • sacrificial
  • sadcore
  • Sadism
  • sadomasochism
  • Saint Francis
  • Salem
  • salieri
  • Sam Fuller
  • Sam Neill
  • Sam Peckinpah
  • Samuel Fuller
  • San Pedro
  • sandahl bergman
  • Sandra Bullock
  • Sandra McCoy
  • Sarah Anne Jones
  • Sarah Michelle Gellar
  • Sarah Silverman
  • Sartre
  • Satan
  • Satanic Panic
  • Satanism
  • satire
  • satyriasis
  • sauron
  • Scarface
  • Scarlett Johansson
  • scary
  • Schizophrenia
  • schlock
  • Science
  • Science Fiction
  • scopophilia
  • Scotland
  • Scottie Schwartz
  • Scream Factory
  • Screwball
  • sean connery
  • Sebastián Silva
  • Seduction
  • self-reflexivity
  • Self-Styled Siren
  • serials
  • Seth Rogen
  • seventies
  • seventies dads
  • severin
  • severine
  • sex
  • sex comedy
  • sex crimes
  • sexism
  • sexual abuse
  • Sexual Assault
  • sexual awakening
  • sexual discrimination
  • sexual seduction
  • Sexuality
  • sexy 30s actresses
  • Shakespeare
  • Shaman
  • Shark Week
  • Sharknado
  • Sharks
  • Sharni Vinson
  • Sharon Stone
  • Sharon Tate
  • Sheep
  • Shelly Winters
  • Sherri Moon Zombie
  • Shining
  • Shirley Ross
  • Shout
  • Shrinks
  • Sick
  • Sig Rumann
  • Sigmund Freud
  • signal corps
  • Sil
  • silent
  • Simon and Garfunkel
  • Simon Callow
  • Simon Pegg Nick Frost
  • simpsons
  • Sin
  • sissy spacek
  • Situationists
  • sixties
  • sizzle
  • skeeviness
  • slacker
  • slam dancing
  • slasher
  • slavery
  • Sleaze
  • Sleepy
  • Slow Ride
  • smoking
  • snow
  • Snow White
  • sobriety
  • Social Message
  • social psychology
  • Society of Enjoyment
  • Sofia Coppola
  • soldier of fortune
  • Sonny Tufts
  • sophie marceau
  • soundwaves
  • South Ameri
  • South America
  • Southern Gothic
  • Southland Tales
  • Space
  • Species
  • spider baby
  • Spiderman
  • spirits
  • Spooky Behavior
  • sprituality
  • Stacey Nelkin
  • Stacie Ponder
  • Stacy Keach
  • Stagefright
  • Stanley Cavell
  • Stanley Kubrick
  • star wars
  • starship troopers
  • Starvation
  • steampunk
  • Stendahl
  • Stepford Wives
  • stephen king
  • steve de schavi
  • Steven Shaviro
  • Steven Soderbergh
  • Steven Spielberg
  • stock market
  • Stoner
  • Stoners
  • stop motion
  • Street Fighter
  • Strip Clubs
  • structuralism
  • submarines
  • Substitute
  • subtext
  • suburbia
  • Subversion
  • Succubus
  • Sue Lyon
  • suicide
  • Sunset Gun
  • Superheroes
  • supermodel
  • Supernatural
  • surfing
  • surrealism
  • Susan Doukas
  • susan foster kane
  • Susan Strasberg
  • Suspiria
  • Suzy Kendall
  • Svengali
  • Swedish
  • Swingers
  • Swinging
  • Sydney Pollack
  • Syfy
  • Sylvester Stallone
  • Sylvia Sidney
  • symbolism
  • syracuse
  • Syracuse University
  • tabs
  • Taissa Farmiga
  • Talia Shire
  • Talk Radio
  • tangerine dream
  • Tara Reid
  • tarantual
  • Targets
  • Tarzan
  • teachers
  • ted wilde
  • teenagers
  • telekinesis
  • Templars
  • Tenebrous Kate
  • Tennesse Williams
  • Terence Malick
  • Terence McKenna
  • Terminator
  • Termite Art
  • Terror
  • Terrorism
  • Terrorists
  • Terry Gilliam
  • Terry Southern
  • Texas
  • Thai
  • That's the Way it Is
  • THC
  • The Big Sleep
  • The Grey
  • the sentinel
  • the thing
  • Theater
  • Thelma Todd
  • theory
  • Theresa Russell
  • Third World
  • Thor
  • Ti West
  • Tibetan
  • Tiffany Bolling
  • Tim Burton
  • Time Dilation
  • Times Square
  • Timothy Carey
  • timothy dalton
  • Timothy Leary
  • titan
  • Titanic
  • Tokyo
  • Tom Atkins
  • Tom Cruise
  • Tom Fergus
  • Tom Hardy
  • Tommy Lee Wallace
  • Tony Clifton
  • Tony Montana
  • Tony Scott
  • Tor Johnson
  • Toshiro Mifune
  • totem
  • Tourists
  • Track 29
  • transgendered
  • Treasure Island
  • Trick R Treat
  • Trilby
  • trip
  • tripping
  • trippy
  • Tristana
  • tropics
  • trucks
  • true crime
  • trumpet
  • TV
  • TV Movie
  • Twilight
  • Udo Kier
  • UFOs
  • UHF
  • Ulysses
  • unborn
  • Uncle Tom's Cabin
  • unconscious
  • undead
  • unions
  • Universal
  • ursula andress
  • Uwe Boll
  • V for Vendetta
  • Vacation
  • Vagina Dentata
  • Val Lewton
  • Valerie and her week of wonders
  • Valerie Leon
  • values
  • vamipires
  • Vampira
  • vampire
  • vampires
  • Vanessa Howard
  • varney
  • Vegetarianism
  • Venice
  • Ventriloquism
  • venus flytrap
  • venus in furs
  • Vera Farmiga's sister
  • Veronica Lake
  • vertigo
  • VHS
  • vice
  • Victorian
  • Victory Jory
  • vietnam
  • Viggo Mortenson
  • Vince Gallo
  • Vincent Cassel
  • Vincent Price
  • Vincente Minnelli
  • Ving Rhames
  • vintage
  • vintage TV
  • violence
  • Violence cocaine
  • Violet
  • Virginia Bruce
  • Virginity
  • Voiceovers
  • voodoo
  • W. Somerset Maugham
  • W.C. Fields
  • W.S. Anderson
  • Wagner
  • Wall Street Protesters
  • Wallace Beery
  • Wallace Shawn
  • Walt Disney
  • walter barrymore
  • Walter Hill
  • Walter Houston
  • walter huston
  • Walter Pigeon
  • Waltons
  • War
  • Warner
  • Warren Beatty
  • Warren Oates
  • Warren William
  • warriors
  • Wartime
  • Wasps
  • Watergate
  • WC Fields
  • weed
  • Weimar
  • Weldon
  • werewolves
  • Werner Herzog
  • Wes Anderson
  • Wes Craven
  • westerns
  • white slavery
  • Whitney Cummings
  • Who
  • Wicker Man
  • Wilder
  • Wilderness
  • Willem Dafoe
  • William Beaudine
  • William Bendix
  • william castle
  • William Faulkner
  • William friedkin
  • William Girdler
  • William Hickey
  • William Hurt
  • William Peter Blatty
  • William Powell
  • William S. Burroughs
  • William Shatner
  • Willie Best
  • Winona Ryder
  • Winter
  • Witchcraft
  • Witches
  • Wizard of Oz
  • wonderwall
  • Woods
  • Woodstock
  • Woody Allen
  • Woody Harrelson
  • Woolf
  • world war I
  • World War One
  • World War Two
  • Worst Movie
  • Wrong Turn
  • wrongslayer
  • WW1
  • WW2
  • XXX
  • Youth
  • Yvonne Furneaux
  • Z-Man
  • Zach Galiafinakis
  • Zach Snyder
  • Zen
  • zeppelin
  • Zionists
  • Zizek
  • zombies
  • Zoolander

Blog Archive

  • ▼  2014 (37)
    • ▼  липня (5)
      • Taming the Tittering Tourists: 50 SHADES OF GREY, ...
      • OBVIOUS CHILD, GINGER SNAPS and Your Reproductive ...
      • Medusae of Asia: THE SHANGHAI GESTURE (1941), RAIN...
      • Two hearts stab as one: Brian De Palma + Dario Arg...
      • Dawn of the Dinkins: RANDOM ACTS OF VIOLENCE (2013...
    • ►  червня (4)
    • ►  травня (6)
    • ►  квітня (6)
    • ►  березня (5)
    • ►  лютого (6)
    • ►  січня (5)
  • ►  2013 (70)
    • ►  грудня (7)
    • ►  листопада (5)
    • ►  жовтня (6)
    • ►  вересня (7)
    • ►  серпня (4)
    • ►  липня (4)
    • ►  червня (4)
    • ►  травня (5)
    • ►  квітня (7)
    • ►  березня (7)
    • ►  лютого (3)
    • ►  січня (11)
  • ►  2012 (93)
    • ►  грудня (8)
    • ►  листопада (10)
    • ►  жовтня (9)
    • ►  вересня (6)
    • ►  серпня (6)
    • ►  липня (6)
    • ►  червня (6)
    • ►  травня (6)
    • ►  квітня (10)
    • ►  березня (7)
    • ►  лютого (9)
    • ►  січня (10)
  • ►  2011 (134)
    • ►  грудня (9)
    • ►  листопада (10)
    • ►  жовтня (8)
    • ►  вересня (11)
    • ►  серпня (9)
    • ►  липня (9)
    • ►  червня (13)
    • ►  травня (13)
    • ►  квітня (16)
    • ►  березня (16)
    • ►  лютого (12)
    • ►  січня (8)
  • ►  2010 (118)
    • ►  грудня (7)
    • ►  листопада (10)
    • ►  жовтня (10)
    • ►  вересня (11)
    • ►  серпня (16)
    • ►  липня (8)
    • ►  червня (11)
    • ►  травня (12)
    • ►  квітня (7)
    • ►  березня (10)
    • ►  лютого (9)
    • ►  січня (7)
  • ►  2009 (48)
    • ►  грудня (6)
    • ►  листопада (6)
    • ►  жовтня (9)
    • ►  вересня (5)
    • ►  серпня (13)
    • ►  липня (9)
На платформі Blogger.

Про мене

jackichain
Дивитися мій повний профіль