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субота, 30 березня 2013 р.

Pictures Taking Pictures - MYRA BRECKINRIDGE (1970) and the Misandric Hollywoodophile

Posted on 12:02 by jackichain
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Posted in Comedy, Farrah Fawcett, gender issues, gender reassignment surgery, Hollywood, homosexuality, John Carradine, John Huston, Mae West, Misandry, Raquel Welch, seventies, sex, transgendered | No comments

вівторок, 26 березня 2013 р.

CinemArchetype 23: The Wild Child

Posted on 10:09 by jackichain

So often kids in movies are insufferably nice, or else no-neck monsters with no real awakened soul power, just dumb glazed-eyed obnoxiousness. The fact is, until they are socialized, most children are monsters.  Pregnant women are often kept away from the crops and gambling tables in small villages because children are considered to be demonic (bad luck) until old enough to be initiated into the tribe and thus recognized as actual people. The only equivalent we have today to those initiations is christening and that which goes beyond the symbolic, circumcision, but they guarantee nothing, and even if empathy is developed it can often be stunted, intentionally or otherwise. There are those who only care about themselves and their family, and 'God,' and every other living organism is either food or an enemy.  At the other extreme is me, crying in the meat aisle at the carnage no one else seems to see.

The list below rounds up an array of 'wild' children, the ones who either refuse to be inducted into any society which attacks them or casual drug users whose word is never believed if it conflicts with even the shadiest of parental authority's second-hand opinions. Or maybe there is no adult society to offer this induction, or the adult supervising them is her or himself an outcast (The Piano, Paper Moon).


No matter what the root of it, we secretly thrill to see amok children; we harbor lingering childhood resentments against the adults who symbolically castrated us--teachers, cops, parents, neighbors, bullies--we have a secret stash of inner savagery just waiting to come out, as evinced by the amount of young men who harbor big stashes of automatic weapons on the off chance civilization crumbles. Until then we're expected to lay down our arms and surrender to a system that, in the end, expects us to follow rules it itself doesn't follow, to be truthful even though it isn't, and would never believe us anyway, and to make no fuss or argument when our basic human rights are stripped away in the name of our own 'safety.'

But these archetypal children embody much more than balls. We exorcise and exercise our repressed inner child vicariously through them, and the result is both cautionary and exhilarating. Like our previous entry, the Outlaw Couple, we go along for the ride like nervous virgins in the back seat of some older kid's Trans Am. These children are not all vicious or violent, but all are 'free' more or less of the confines of the social order. They either openly attack, exploit, or avoid the adult world. They live out our secret wish to blow things up before guilt, empathy, and responsibility for their own actions sours up their very sense of being alive.

1. Student body of New Grenada - Over the Edge (1979)

It's important to note that OVER THE EDGE changes the usual math of the parent-kid divide by siding itself with the kids... all the way, and allowing us to exult in the little moments of true rebellion, even if they are ultimately pointless: Richie (Matt Dillon) standing on the hood of Doberman's car as he tries to haul off Claude (Tom Fergus) for a gram of hash on a pointless bust; the retribution against the Leif-y narc who sold Claude the hash in the first place; the kids locking the parents in the PTA meeting, etc. --it's all cathartic as hell, but then as the cars in the parking lot erupt in flames and the kids rage Lord of the Flies-like we start to become afraid of ourselves for the primal inner wild child joy of seeing the school--the kid equivalent of a soul-deadening prison-- destroyed in an ultimately pointless orgy. We fantasize about blowing up the school, but when we actually blow it up, we see the ugly core that drives that fantasy. We devolve along the Hawksian axis all the way out of ONLY ANGELS HAVE WINGS and find ourselves in MONKEY BUSINESS, with the drugged Cary Grant as the painted savage preparing to roast his rival. By then it's too late to save the baby in the boiling bathwater, the wild chaos of death and anarchy tails childhood idealism like a dogged detective and the reactionary rabble roll over everything like a tide, shedding the old skin of the country as they come ripping through the amber waves like a sloppy zipper. (See: Vandal in the Wind -2011)

2. Tatum O'Neal as Addie (1973) - Paper Moon (1973)
Anna Paquin as Flora - The Piano (1993)

In these two examples the 'only' child travels an alien landscape with an unhinged single parent: Flora is the translator of her weird mom's sign language and though mom has a hard time adjusting to the stark oddness of the wild swampy New Zealand plantation, and the inarticulate fumblings of her repressed husband, Flora becomes--with the help of some amateur theater fairy wings--a diminutive Ariel / Caliban of the forest, finally even bonding with the repressed father and ratting her mom out about her affair with Harvey Keitel to demonstrate her heedless ambivalence as far as consequences to her own jealousy. Like Keitel's character she takes on a Hearts of Darkness-style going native quality, but fits in with the white world too, as needed.

Con artist Addie hooks up with her dimwit father and moves through the landscape with similar ease while he struggles and flails. It's great to see her smoking in bed and listening avidly to Jack Benny on the radio (O'Neal played a similar character, a few years older / later to drunk dad Walter Matthau in our next choice...

 
3. Full team - The Bad News Bears (1976)

As a kid I was always picked last for teams at gym and recess--my scars still haven't healed. For all I suffered, the Bad News Bears would be my chosen team. It's pretty cool how many of them have the same long blonde hair, like an army of Viking rejects. A couple of ringers almost win the big game for them, but then coach Walter Matthau says fuck it and lets the bench warmers take a turn; who cares if they win? The beers that continually flow along with the curse words help keep the game in cosmic perspective. Robert Aldrich might have directed this with a little more vitriol, but in its own sloppy way, the film is just about perfect and these snarling little ragamuffins are like a slightly less violent and organized version of the Over the Edge bunch; rather than compete for the acceptance of a society that has rejected them they prefer to reject society a priori. When Tanner (Chris Barnes) says 'take that trophy and shove it up your ass!" at the end of the film, I still feel a fighting thrill. Every kid in the theater I saw this with back in 1976 let out a triumphant whoop at that line; we never forgot it. (for more - see Walter Matthau - Great 70s Dads)

 4. Harvey Stephens as Damien - The Omen (1976)

Linda Blair in THE EXORCIST never quite counts for this cinemArchetype as she is fully socialized and 'normal' prior to her possession; indeed her possession seems to be triggered in part by puberty or the onset of menstruation, which can lead to one's entering a whole new realm of archetypal force, but having been socialized even for a few weeks, a child loses their cachet in the world of the abject, of the chthonic and unassimilated wild. The demon possesses her, while here its the other way around.

Damien, on the other hand, is never assimilated, and remains an evil blank slate. We only see him when either of his parents are present, and then they're half the time rushed out of the nursery by his big black dog or servant of Satan maid. Everywhere he goes his lack of socialization causes a row. He can't even get near a church, or a baboon.

5a. Emil Minty as the Feral Kid - The Road Warrior (1982)

Though never speaking except in grunts, the Feral Kid becomes a pretty vivid character in George Miller's influential classic. Cutting off fingers and killing bikers' punked bitches with his razor boomerang, grinning uninhibitedly from the sound of a simple music box, he becomes the focus of the picture when it all boils down to him reaching across the massive hood of the truck to retrieve Max's fallen shotgun shells. In his relative benign savagery and loyalty to the enclave around the tanker (no one seems to have claimed him as theirs, so he must have just showed up) the Feral Kid shows that the wild child in and of itself is not evil. It takes an evil parent (or guardian, like in THE OMEN), or a gang, to turn them rabid. And in a wilderness where the law of the outback reigns supreme, the Feral Kids' wildness is simply--and without bitterness--what is needed to survive.

 5b. Jean-Pierre Cargol as The Wild Child (1970)
 "Taking The 400 Blows to another level, François Truffaut's 1970 feature considers a child who is literally wild, with the filmmaker himself starring as an 18th-century country scientist molding his charge in civilization's image. Shot in neat black-and-white by Néstor Almendros, the historically based movie is measured out by Dr. Itard's orderly account of the experiment, even as his momentous study finds an opaque mirror in the near-mute boy, never truly knowable. Shaggy Victor (Jean-Pierre Cargol) starts off not fierce but blindly wriggly, like a penned-up puppy, before assuming more control and becoming a piece of silent cinema under the reserved scientist's direction. (His solitary learned word is emitted in an unforgettable squeak.) He's both pure—communing with rainfall, unexpectedly showing affection—and something incomplete, a tension echoed in the film's regimented path of discovery. All is fodder for Itard's journal transcriptions (a remove later tweaked for comedy in Such a Gorgeous Kid Like Me). Rather than present a clichéd fall from grace, Truffaut elicits ambivalence by closely tracking the Enlightened scientist's optimism; after the fascination, our inchoate sadness seeps in." - Nicolas Rapold - Village Voice
6. Patty McCormack as Rhoda Penmark - The Bad Seed (1956)
..How we love to hate little Rhoda. And for some of us (myself included), how we love to love her…she’s just too damn full of vicious personality. I even go so far as to nearly (I say nearly) champion her actions and wish she would invoke more harm (film wise) before her inevitable demise.

Living with her mother Christine (an understandably neurotic Nancy Kelly) and mostly absent father (William Hopper -- Hedda Hopper's son) Rhoda's life is one of privilege and attention. When kissing her father goodbye he asks “What would you give me for a basket of kisses?” Rhoda coos back: “A basket of hugs!” Landlady and supposed expert in psychology, Monica Breedlove (Evelyn Varden) dotes on Rhoda, applauding her out-moded manners and showering her with presents -- one being rhinestone movie star glasses that Rhoda, of course, loves. As she prattles on about Freud and abnormal psychology, the rather ridiculous Breedlove cannot see the freakish behavior in front of her. She's blinded by all that bright, beauteous blonde. (Kim Morgan - Sunset Gun)
7. Macaulay Culkin as Henry - The Good Son (1993)
Henry: I feel sorry for you, Mark. You just don't know how to have fun.
Mark: What?
Henry: It's because you're scared all the time. I know. I used to be scared too. But that was before I found out.
Mark: Found out what?
Henry: That once you realize that you can do anything... you're free. You can fly. Nobody can touch you... nobody. Mark... don't be afraid to fly.
Mark: You're sick...
Henry: Hey, I promise you something amazing, something you'll never forget. Where's the gratitude?
8.a. Leo Fitzpatrick and Justin Pierce as Tully and Casper - Kids (1995)

"Virgins, I love 'em!" Tully narrates, with a mouth gone to mush from endless deep tongue kissing and cunnilingus. The film follows him and his buddy Caspar over the course of a long summer day and night and they're a terrifying duo - one a half-asleep alcoholic rapist, the other HIV positive, anti-condoms smoov-tawka who's always fixin' to deflower yet another 14 year-old virgin. He'll never run out of them, because these kids are always recruiting new kids to their clique; all the parents in New York are never around so the kids raise themselves; the old teach the young how to roll blunts and boost 40s from the city's countless bodegas.

By buddy Max. I really connected to this film as we were very similar in our dynamic to Tully and Caspar. We still talk in some of Tully and Casper's comedic rhythms. Max was the driven seducer (though avoided virgins, which later I understood why) and I was the Caspar (though avoided raping), more concerned with getting fucked up. I often woke up at big keg party sleepovers like the one in this film, and like Caspar I'd wake up wherever I passed out -- the couch, the floor -- and immediately start seeking more booze and a cigarette, just as Caspar does. After seeing Kids I even did this once while singing Caspar's song:

that's a foamy 40, not milk, playa
Parents didn't like having this movie around; producers felt obligated to contextualize it as a "wake-up call to the world." Truth is, these kids aren't evil; they've just been cut loose into the jungle like the kids in Lord of the Flies. Except here there's drugs, girls, AIDS, cabs, and idiots who talk trash and need a skateboard to the dome. Director Larry Clark captures something that's slippier than lightning in a bottle: these kids grow and change before our eyes; we see the way ideas and energy spread among them like fire; the way a couple of girls kissing in a pool can almost create a wilding gangbang riot; how a group of ten year-olds can turn each other onto grass and lingo and suddenly begin to grow into looking like each other, talking and sitting the same way, as if there's some Satanic group mind that sucks them in like coke through a straw. Sure it's disheartening.... it may not even be 'real' - but its awesome to see, and its never really been seen again. Except with...

 
8.b. Evan Rachel Wood and NIkki Reed in Thirteen (2003)

The merits of Kids can really only be gauged by another film in its class, and the only one besides Larry Clark's other masterpiece, Bully, is this film written by Nikki Reed and starring her as a bad influence friend on the impressionable young Even Rachel Wood. Director Catherine Hardwicke shows why she was the perfect choice to direct the first Twilight, and why that series suffered from her later absence; she gives teenage girl angst the rare combination of operatic emotion and escape velocity it deserves. Thirteen received an even more alarmed outcry from parents than Kids did; worried moms demanded someone tell them that Reed had made it all up, that she hadn't actually done any of those things in real life. That it was all a dream. Their concern said more about the modern see-no-evil approach to parenting than any genuine compassion for the kids. Absentee parents don't want their guilty conscience attacked, rather than step up their game they'd just prefer you lie to them so they can sleep at night.

What really bugged them, of course, was that Hardwicke neither demonizes nor celebrates the girls' 'bad' choices -- she merely tries to film the exhilarating feeling of going from outcast to insider; what it's like to be suffering from depression that's so bad you cut yourself just to feel something, then a few hours later you're off on an extended manic spree. If there was no giddy thrill there would be no emotional investment at all and the film would be little more than an after-school special. Instead, Wood is never judged even as she proceeds to burn down every last trace of good will, rushing into sex and drugs at a dizzy-from-anorexic-hunger speed.

9. Daniel and Joshua Shalikar as Adam -
  Honey I Blew Up the Kid (1992)

This weird Disney film deals with a very interesting issue involving the pre-empathic state that we all spend the bulk of our infancy in, where the world is a candy store, and only the mom's nearness matters --all else is but a dream. If such a being in such a state is put in a position of total power over the world, look out: they can destroy it all just because they're grumpy and need a nap. As the great Jonathan Rosenbaum wrote of the film:
" Credibility is strained by the safe bet that no one will get killed, even though the near deaths are so plentiful that the plot comes to resemble a tricked-up theme park ride. Still, the allegorical possibilities of infantile innocence run amok (particularly as a view of this country in relation to the remainder of the globe) are amusing and potent," 
And this from EW's Ty Burr:
  "Judging from the reactions of the kids in the screening theater, it's clear that they see what happens to Adam as a power trip of primal proportions: He plays when he wants, he sleeps when he wants, he goes where he wants — and if mom and dad don't like it, he puts them in his pocket and toddles on. By the time he rips the 85-foot-tall neon guitar off the facade of the Las Vegas Hard Rock Cafe and starts playing it, they're with him completely, screaming in anarchic delight."

10.  Who Can Kill a Child? (1976)
Children of the Corn (series)
Suddenly Last Summer (1959)

The unease created by movies such as Who Can Kill a Child?, the Children of the Corn series, the wild-running orphans in Logan's Run and that gang that shouts "bop! bop!' on that one Star Trek episode hinges on two elements: 1) we're hard-wired to not kill children; 2) as adults we're expected to reach them, bring them around through strong leadership and mature nurturing. If we fail, it makes us look bad. Who can kill a child? Only a monster, like us. Kids are, at heart, sociopathic, until they learn empathy. If we can't teach them that empathy, what good are we?


Many of us develop this empathy while torturing insects, like I used to do so with a friend, when one day, seeing that poor Japanese beetle (my neighborhood was infested with them at the time) dragging itself along the driveway, leaking black blood, I suddenly felt sick to my stomach, ashamed, sad, and confused that I couldn't do it anymore. I left the other kid right where he was crouching with his little batch of fireworks. Yeesh, kids are nightmares. But there are levels of developmental empathy - if you doubt just go to your local supermarket some time and hang out in the meat section; none of those shoppers give a shit about the organic beings that were butchered; there are no sad cow faces hanging above the steaks. Kudos to stores like Whole Foods for buying only from free range sources, but the bulk of our meat still comes from places where to say the animals are tortured, overcrowded and deprived for the entirety of their lives is putting it mildly. Out of sight, out of mind, okay - but then to judge the kids who kill animals in the neighborhood seems awfully hypocritical.


My offhand diagnosis is that empathy is a 'luxury' in brain chemistry, a sophisticated neural upgrade the mind takes when it feels it can relax and trust the people around it. Once the empathy kicks in it can never go away (except on cocaine) so the brain doesn't want to bust it out too soon if it might be a hindrance, as in war. But sociopaths tend to be loners, so what you have with a gang of unsupervised kids is fascism, mass hysteria, the desperation to connect and strengthen your tribal bonds leading you to kill all outsiders without conscience lest you be branded outsider next.

The rhythm of this phenomenon is apparent in all group human interaction. I've witnessed and been caught in three different riots over the course of my life. I never could catch the insane spirit of it all - I hurried away as the opposing ranks were drawn, embarrassed. The cops and the rioters had more in common with each other than with me; it was like I was intruding on their very private meeting.


The most highbrow of the above-listed films in this entry isn't really a horror movie, the events are mostly described by a progressively more hysterical Elizabeth Taylor; we don't see any gore. It's pretty clear just the same that these crazy kids have eaten their cruising tourist sugar daddy in a fit of mass hysteria and hunger.

11. The Children (1980), The Children (2008), Emily in Night of the Living Dead (1968), the No-neck monsters in Cat on a Hot Tin Roof (1958), The kids in The Brood (1979)

I love this post from Brenda Tobias about the changing attitudes towards children and the eternal power of the no-neck monsters to horrify:
Just imagine the shock of the 1950s adult (children did not attend the theatre) audience upon seeing those no-necked monsters. Those grating little characters were hauled out and scattered like confetti on a parade. There they are playing Dixie at the airstrip to greet Big Daddy (who reacts with the same horror/disgust of the audience.) There they are “performing” at Big Daddy’s birthday party to which adult friends have been invited. (Big Daddy voices our wishes and asks for an intermission.) There they are barging into bedrooms and demanding adults engage in play. And there they are repeating hateful remarks to their aunt. It’s enough to evoke a gasp. That it still does that today is remarkable. 
The Brood (1979)
Children are not sequestered today. In fact if anything the world has become theirs and adults are seen but not heard. Adults can often not be heard over the din of children in restaurants, theatres, museums and funerals. Babies and children are not so much integrated into adult lives, as adults are integrated into the lives of children’s. We’ve created retail empires for babies and children. Broadway has discovered the steady income stream of children and the white way is dotted with flying people and talking teapots. Infants and children unfamiliar with the term “indoor voices” are dining out at 7:00, 8:00 and even 9:00 PM. They don’t shy from the highest end restaurants either. A simple dress code of: No Pull-Up Pants would put an end to that; but we digress. The point is that the world has changed tremendously since Mr. Williams created those no-neck monsters. Yet they still have the power to horrify. That is partly due to the scenic background of their terrorizing. They are clearly in an adult environment. The house in which they are running rampant is stately; there is no great room, there are no toys. It is clearly adult space. (more) 
12  The Lord of the Flies (1963)

The original, the classic, written by William Golding, is based on his own WW2 experience and a report from a teacher about how allowing his students total freedom in a debate led to a violent altercation in class. Peter Brook's film adaptation uses scintillating black and white photography to create a naturalistic mythopoetic beauty wherein you could see how the ambivalent strangeness of unbridled nature acts on the boys' vivid imagination; fear of a half-dreamt demonic figure in the woods overriding Piggy and Ralph's common sense and enabling Jack's Hitler-esque rise to power. It's funny how our current situation in this country hasn't changed overmuch from this sad dichotomy - the Republicans (Jack) whipping up things to be terrified about and sounding the war drum while the Piggy/Ralph democrats try to keep things calm and rational, which alas often means boring and myth-less.
 

The main issue of course is that people gravitate to the figure they're afraid of. Fear is a high, and it makes you feel secure in your mass mind panic / hate contingent as you continually find straw dog enemies to attack - Piggy (and the wild boars on the island) all come to represent the Lord of the Flies by proxy. The trouble is, the enemies have to keep coming to keep up the facade of Jack's despotic power.

The arrival of the adults at the very end brings a presumed end to the madness and it's interesting to note the similarity of the ending with that of Mel Gibson's Apocalypto. I'm sure Mel doesn't mean us to read it as the reverse of his intention - that the Spaniards are there to educate the savage Maya and protect the neighboring tribes from being wantonly sacrificed. What we know is that the Spaniards wiped out hundreds of thousand of Mayas via disease, enslavement, and religious persecution and destroyed most of their books and records. Nice going assholes! The Maya (and Aztecs) were woefully unprepared to deal with things like canons, STDs, and muskets but they could have repelled the initial landings of Spaniards easily had they not been expecting a visit from the 'white' gods and thought these were them. It's a good moral and one that repeats throughout history, never trust the voice in your head! As we huddle by the fire and wonder who we can trust, our urge to be rational and compassionate fighting the urge to blindly lash out, wondering whether to vote for Jack's conservative circle-the-wagons worldview or Ralph's let's go talk to the natives and make friends approach. It just shows you we have not progressed too far from the savage, and maybe never will.

13. The children of The Village of the Damned (1960)

"When there is an invasion of otherworldly evil it is common for the main character to have some sub-Freudian link with it, some barely tangible connection that only the weird old, cackling old woman at the bar can see. It was the boiling over sexuality of 1950’s teenagers that caused the giant insect attacks in all those old bug movies; the strange love of Melanie Daniels intruding on the domain of icy mom Jessica Tandy launches The Birds, etc. Gordon's desire for a child so late in life indirectly creates this invasion and so he cannot reconcile the reverse-Oedipal urge to kill his kid with the buried suspicion that his wishing brought the stork of Satan down upon them all. So rather than admitting he made a mistake, he wants to find some good therein. He starts arguing that the Midwich spawn are not inherently evil, but just at that pre-empathic stage of all infants; there is good to be found in them, and fun things to study and learn about the human mind.

Gordon's brother-in-law is concerned: “What if we can’t put the moral breaks on them?” This is a legitimate worry—if they know you can never spank them, why should they ever listen? And Gordon’s unwillingness to condone their extermination distinctly sets the field of science/eugenics up against humanity’s own survival. The sense of taboo that resulted in the Intuit and Mongolian children being killed at birth doesn’t exist for the civilized man, who has to wait until the children have grown so big powerful only nuclear strikes will do the trick (which becomes the fate of two other damned “civilized” villages). In this context, Gordon becomes his own bad guy, like Dr. Carrington in The Thing (1951) shouting: “You’re wiser than we are, you must understand!”  The comic book/movie series X-Men follows a similar tack, with the mutants finding refuge at a school operated by a master of mind control. It’s that misunderstood teen fantasy of letting all the freaks go live together since the adults hate them so much. Like some pint-sized biker gang, the Hitler Youth or a rock band, they “all want to dress alike,” and walk around the streets like they own the place. They are part of a new movement, the dawn of the eugenic-counterculture.  At one point Gordon even asks them; “What do you kids want?” The kids reply: “We want you to leave us alone!” This request which would later become immortalized in Pink Floyd’s The Wall, a 1982 rock film chronicling a fascistic rock star’s childhood in post-war England. And as in that film, the adults simply cannot leave their little Nazi progeny alone. When faced with a higher or different intellect than themselves, the parents must try to understand, meddle and control and failing that, destroy them rather than be made irrelevant.

  “If you didn’t suffer from emotions, you would be as strong as we are,” David says to Gordon at one point, indicating that what the adults see as their “humanity” is something the Midwich children have transcended. Or as Floyd put it “if you want to find out what’s behind these blue eyes/ you’ll have to claw you’re way through this disguise." It has long been a source of fascination with UFO theorists that if humans could access our entire DNA, we would be able to recognize and harness powers which we now think of as “alien.” Some go so far as to speculate that alien “DNA dampers” are what keep that other 90% of our minds inactive. We could be as strong as the Midwich kids if our minds weren’t mostly shut off as a result of some higher being’s neutering of our genes, which our 'humanity' is perhaps a side effect: When David’s “real” extra-dimensional father last pulled his “induce sleep and artificially inseminate” business it may have been with apes at the dawn of time. He made sure to lower the wattage of our alien chromosomes, but for this next go-round, he’s turning the dimmer switch up to “bright.” Gordon notes that the children’s’ power has no limit, any more “than there is a limit to the power of the human mind.” We are still bound by our own compassion as human viewers, and any compassion we had for these “different” kids is compromised when they start killing more and more innocent people, justifying the military response and making Gordon's compromises seem like associative guilt... . We may not like the townspeople, but these lovely, weird blonde children are the devil - and they won't let us in; they won't let us join their gang (the way we're kind of allowed into the similar units like the X-Men or the Cullen clan). So we need to destroy them. (see Acidemic #5 here)

---
See also: WILD BOYS OF THE ROAD (1933)
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  • Al Santos
  • alain robbe-grillet
  • Alan Arkush
  • Alan Ladd
  • albert finney
  • Albert Maysles
  • Alchemy
  • alcohol
  • Alcoholics Anonymous
  • Alcoholism
  • Alec Baldwin
  • Alexander Payne
  • Alexandra Breckenridge
  • Alexandra Hay
  • Alfred Hitchcock
  • Ali Larter
  • Alice in Wonderland
  • Alien
  • alien abduction
  • Alien conspiracy
  • alienation
  • aliens
  • Allegory
  • Allen Jenkins
  • Altamont
  • Amanda Warren
  • Ambiguity
  • America
  • American
  • American Horror Story
  • Amnesia
  • amok
  • amok animals
  • amos poe
  • amy allan
  • Anarchy
  • ancient rome
  • androids
  • Andrzej Zulawski
  • Andy Serkis
  • Angelina Jolie
  • Angelo Rossitto
  • Anima psychosis
  • animals
  • Animus
  • Anita Loos
  • Anita Pallenberg
  • Ann Revere
  • Anna Carlisle
  • Anna Christie
  • anna karina
  • Anna May Wong
  • Anna Paquin
  • Anna Sten
  • Anne Francis
  • Anne Hathaway
  • annet mahendru
  • Antichrist
  • Anton Grot
  • Antonioni
  • anxiety
  • apocalypse
  • April Fools
  • Aquarius
  • Arabs
  • Archetpyal
  • archetypal
  • Archetypal Psychology
  • archetype
  • Argentina
  • Argento
  • Armageddon
  • Arnold Schwarzenegger
  • Arous
  • art
  • art scene
  • Arthur Hunnicutt
  • asa butterfield
  • Asexuality
  • asherah
  • ashley cahill
  • Asia Argento
  • astronaut
  • audio mimesis
  • Aurora
  • Automaton
  • Ava Gardner
  • Avengers
  • aviation
  • awesome horror
  • Ayahuasca
  • ayuhuasca
  • Aziz Anzari
  • Baader-Meinhof
  • Baby Doll
  • Backwoods
  • Bad
  • bad faith
  • balls
  • ballyhoo
  • BAM
  • Barbara Crampton
  • Barbara Hershey
  • Barbara Stanwyck
  • Baroque
  • Barry Shear
  • bars
  • Barton Fink
  • Basil Rathbone
  • basquiat
  • Batman
  • Batman Returns
  • Baudrillard
  • bawdy
  • beaches
  • Beards
  • beatles
  • Beatrice Dalle
  • Beckett
  • Bela Lugosi
  • Bella
  • Ben Hecht
  • Benicio Del Toro
  • bergman
  • Bertolt Brecht
  • Best of decade
  • Bette Davis
  • Betty Blue
  • bi-polar
  • Big Liebowski
  • Big Red One
  • Big Sur
  • Bikers
  • Bill Clinton
  • Bill Gunn
  • billie piper
  • Bing Crosby
  • Biography
  • birth
  • bisexual
  • Black
  • Black Cat
  • black comedy
  • Black Dahlia
  • Black Metal
  • Black Star
  • blackface
  • Blacklist
  • blade runner
  • blank generation
  • blaxploitation
  • Bleeding Skull
  • Blind Dead
  • Bloggers
  • Blondes
  • blood
  • blue meanings
  • Blueberry
  • Bob Geldoff
  • bob guccione
  • Bob Hope
  • Bohemian Grove
  • Bombshell
  • Bon Rafelson
  • bondage
  • Bonnie Brown
  • boondoggle
  • bootleggers
  • bootlegging
  • Boris Karloff
  • bourgeois
  • bowery
  • Brad Pitt
  • Bradley Cooper
  • Brain
  • brain damage
  • brainwashing
  • Bramwell Fletcher
  • Brazil
  • Brecht
  • Breillat
  • Brenda Wiley
  • Bret Easton Ellis
  • Brian Cox
  • Brian De Palma
  • Brian Donlevy
  • Brian Glazer
  • Brian Wilson
  • Bright Lights
  • Brit Marling
  • British
  • broad city
  • Broderick Crawford
  • Brooke Shields
  • Bruce Lee
  • Bruce McCall
  • Bruce Willis
  • Bruno Forzani
  • Bruno Ve Sota
  • Buddha
  • Buddhalution
  • Buddhism
  • Bueno Aires
  • Buenos Aires
  • Bugs Bunny
  • Burl Ives
  • Burma
  • Burns and Allen
  • Burt Lancaster
  • burt reynolds
  • Busby Berkeley
  • Busby Berkley
  • Buster Crabbe
  • Cabin Fever
  • Caligula
  • camille paglia
  • camp
  • Camping
  • Canada
  • Canadian
  • Candace Hilligoss
  • Candice DeLong
  • Cannibalism
  • Cannibals
  • capital crime
  • Capitalism
  • Cappucine
  • Carey Mulligan
  • Carlos
  • Carmen Sternwood
  • Carmilla
  • Carol Channing
  • Carole Lombard
  • Caroll Baker
  • Carrie
  • carrie white burns in hell
  • Carroll Baker
  • Cartoons
  • Cary Grant
  • Casablanca
  • Casey Anthony
  • casinos
  • Cassavettes
  • castavet
  • castration
  • Cat Women
  • Cate Blanchett
  • catherine deneuve
  • Catherine Keener
  • Catherine Mary Stewart
  • Catherine Zeta Jones
  • Catholicism
  • Catholics
  • Cecil B. DeMille
  • Cesca
  • CGI
  • Channing Tatum
  • Charles Bickford
  • Charles Coburn
  • Charles Dickens
  • Charles Farrell
  • Charles Haid
  • Charles Kaufman
  • Charles Laughton
  • Charles MacArthur
  • Charles Manson
  • Charlie Bronson
  • Charlie McCarthy
  • Charlie Sheen
  • Charlies' Angels
  • Charlize Theron
  • Charlotte Gainsbourg
  • Charlotte Rampling
  • Cheap Trick
  • Cheech and Chong
  • Cher
  • Cherie Curie
  • Cheryl Ladd
  • chick flick
  • childhood
  • children
  • Children's Hospital
  • Children's liberation movement
  • Chile
  • Chloe
  • Chloe Grace Moretz
  • Chris Hemsworth
  • Chris Nolan
  • Chrisopher Lloyd
  • Chrisopher Walken
  • Christ
  • Christendom
  • Christian Bale
  • Christianity
  • Christina Rosetti
  • Christmas
  • Christophe Waltz
  • Christopher Jones
  • Christopher Lee
  • Christopher Nolan
  • chronicle
  • chthonic
  • Chuck Norris
  • cia
  • Cibo Matto
  • Cinematography
  • Cinq au sept
  • citizen kane
  • City Gardens
  • Civil War
  • Claire Denis
  • Clara Bow
  • Clarence Brown
  • Clarence Muse
  • Clark Gable
  • classic horror
  • Classism
  • Claude Raines
  • Claude Rains
  • Claudette Colbert
  • Cliff Robertson
  • Clint Eastwood
  • clitorectomy
  • cocaine
  • cockblocking
  • Cocoa Cola
  • Cocteau
  • Coen brothers
  • Coffy
  • Coke Ennyday
  • Cold War
  • Colin Farrell
  • Colin Firth
  • collagen
  • colonialism
  • Colorado
  • Columbia
  • Comedy
  • Comedy horror
  • Communism
  • computer games
  • Conan
  • conan barbarian
  • Confederacy
  • conflict diamonds
  • Conrad Veidt
  • conservativism
  • conspiracy
  • Constance Bennett
  • controversy
  • Coppola
  • Copyright issues
  • Cormac McCarthy
  • Cornell Woolrich
  • Corruption
  • Counterculture
  • Country Joe
  • Cpnspiracy
  • crack
  • Craig Robinson
  • crank
  • crazy
  • Creepshow
  • Crestwood
  • Crime
  • criterion
  • Critics
  • Cryogenics
  • Crypto-fascism
  • crystal skull
  • Cul-de-sac
  • cults
  • cultural theory
  • Curtis Harrington
  • Cyd Charise
  • Czech new wave
  • daimonic reality
  • Dakota Fanning
  • Dan Curtis
  • Dance
  • Dance marathon
  • dancing
  • Daniel Ekeroth
  • Daniel McBride
  • Daniel Plainview
  • Daniel Radcliffe
  • Danny Trejo
  • Dario Argento
  • Darionioni Nuovo
  • Dark Secret of Harvest Home
  • Dark Shadows
  • Darwin
  • Dashiell Hammett
  • Daughter Italian Ripp London Ralph Bates Susan Brodrick
  • Daughter of Horror
  • Dave Chapelle
  • David Brandon
  • David Cronenberg
  • David Cross
  • David Del Valle
  • David Fincher
  • David Hemmings
  • David Icke
  • David Letterman
  • David Lynch
  • David Niven
  • David O Russell
  • Dazed and Confused
  • DC Comics
  • Dead
  • dead files
  • Deadgirl
  • Deadly Women
  • Dean Martin
  • Dean Stockwell
  • death
  • death drive
  • death fetishist
  • Deborah Kerr
  • decadence
  • decapitation
  • Defection
  • Dellamorte Dellamore
  • Delphine Seyrig
  • Dementia
  • Demi Moore
  • Demons
  • denise richards
  • Denmark
  • dennis hopper
  • Depression
  • Desert
  • Detective Magazines
  • Detectives
  • detournement
  • Devil
  • Devil Commands
  • devouring other
  • Diablo Cody
  • Diane Keaton
  • diane selwyn
  • Diane Varsi
  • DIaspora
  • Dick Foran
  • Dick Powell
  • Dinah Shore
  • dinners
  • Dino De Laurentiis
  • Dino De Laurentis
  • dinosaurs
  • disaster
  • disillusionment
  • Disney
  • DMT
  • DNA
  • Dogme 95
  • dogs
  • Dogville
  • Dolores Del Rio
  • Dolores Fuller
  • Dolph Lundgren
  • Domestic violence
  • Dominique Strauss-Kahn
  • Dominique Swain
  • Domino Harvey
  • Don Coscarelli
  • Don Rickles
  • Donal Cammell
  • Donald Pleasance
  • Dopey
  • Dorothy Lamour
  • dostoyevsky
  • Douglas Fairbanks
  • Douglas Fairbanks Jr.
  • downtown
  • Dracula
  • dreams
  • Drew Barrymore
  • drinking
  • drinking games
  • Drug addiction
  • drugs
  • Drunken Monkey
  • Duane Jones
  • duff gardens
  • Duke Ellington
  • Dustin Hoffman
  • Dusting Hoffman
  • DW Griffith
  • dwarfs
  • Dyatlov Pass
  • Dylan
  • Dylan Baker
  • Dylan McDermott
  • dystopia
  • Eagles
  • East Germany
  • ecological horror
  • Ed Dorado
  • ed wood
  • eddie nugent
  • Edgar Allen Poe
  • Edgar Bergen
  • Edgar Ramirez
  • Edgar wright
  • Edmund Goulding
  • Edmund Lowe
  • education
  • Edward Arnold
  • Edward Dmytryk
  • Edward Everett Horton
  • Edwige Fenech
  • Ego
  • Egypt
  • Egyptology
  • eisa gonzalez
  • el rey
  • Eli Wallach
  • Eliza Dushku
  • Elizabeth Hurley
  • Elizabeth Taylor
  • Ellen Burstyn
  • Ellen Page
  • Elliot Gould
  • Elliot Nugent
  • Elm Street
  • Elvis
  • Elvis Presley
  • EMA
  • Emily Blunt
  • Emily Watson
  • Emir Kusturica
  • Emma Roberts
  • emperor
  • Endless Love
  • England
  • Enlightenment
  • Ennio Morricone
  • ennui
  • ensemble
  • environmentalism
  • Eric Jonrosh
  • Eric Romer
  • Erich Kuersten
  • Erich von Stroheim
  • Errol Flynn
  • escorts
  • Espionage
  • Eugene O'Neill
  • Europe
  • European
  • Eva Green
  • Eva Mendes
  • Evan Peters
  • Evil
  • evolution
  • excess
  • Existenitalism
  • existential
  • Existentialism
  • Exorcist
  • exotica
  • Experience
  • experimental
  • Exploitation
  • Eyes of Laura Mars
  • Facebook
  • Fairuza Balk
  • fairy tale
  • fairy tales
  • Fakery
  • family drama
  • family dynamics
  • fantasy
  • Fanu
  • farce
  • Farrah Fawcett
  • fascism
  • Fashion
  • Fassbinder
  • Fate
  • fatherhood
  • Fay Adler
  • Fay Wray
  • Faye Dunaway
  • Female Convict Scorpion
  • feminism
  • Fernando De Leo
  • Ferris Bueller
  • Fight Club
  • Film Critics
  • Film Forum
  • Film Noir
  • film preservation
  • Film Theory
  • films
  • Final Destination
  • first national
  • Five Stairsteps
  • five to seven
  • Florence
  • Florence and the Machines
  • Flower Power
  • Folk
  • folk music
  • fool
  • Ford Beebe
  • Forest
  • France
  • Frances Dee
  • Francis Ford Coppola
  • Franco Nero
  • Franco Zeffirelli
  • Francois Dorleac
  • Frank Morgan
  • Frank Sinatra
  • frankenstein
  • Frankenstenia
  • Franklin Pangborn
  • freaks
  • Fred Ward
  • Freddy Kruger
  • Frederic March
  • free love
  • freebase
  • French
  • french girls
  • French New Wave
  • french revolution
  • freud
  • Freudian
  • Fritz Lang
  • Fritz Lieber
  • frostbite
  • Fulci
  • Fundamentalism Christianity
  • fury
  • Fuzzy Night
  • gaby hoffmann
  • Gale Sondergaard
  • gambling
  • Gang violence
  • gangster
  • Gangsters
  • Gary Cooper
  • Gary Morris
  • Gary Oldman
  • Gaspar Noe
  • Gender
  • gender issues
  • gender reassignment surgery
  • Gene Evans
  • Gene Kelly
  • Gene Tierney
  • George Bernard Shaw
  • George C. Scott
  • George Chakris
  • George Clooney
  • george harrison
  • george lazenby
  • George Peppard
  • George Reed
  • George Romero
  • George Sanders
  • George Zucco
  • Georgina Reilly
  • German Expressionism
  • Germans
  • Germany
  • ghost america
  • ghosts
  • Ghoulardi
  • giallo
  • giant spider
  • Giant Spiders
  • Gig Young
  • gigolo
  • gillian robespierre
  • gin
  • Ginger Rogers
  • ginger snaps
  • giorgio moroder
  • Giovanni Lombardo Radice
  • girl power
  • Girls
  • Glasgow
  • Glenda Farrell
  • Glenda Jackson
  • Globalization
  • Gloria Stuart
  • Go Ask Alice
  • God
  • Godard
  • Godfather
  • Godzilla
  • Golden Turkey
  • Golem
  • Gone With the Wind
  • Gonzo
  • Goodfellas
  • Gore
  • Gore Vidal
  • Gort
  • Goth
  • Gothic
  • Government
  • Graveyard
  • gravity
  • Great Britain
  • great depression
  • greed
  • greenwich village
  • Gregory Peck
  • Gregory Ratoff
  • Greta Garbo
  • greys
  • Grindhouse
  • Grizzly Adams
  • Groucho Marx
  • Guggenheim
  • guide
  • gunfights
  • Guns
  • Guru
  • guy debord
  • Gwenyth Paltrow
  • Gwili Andre
  • H.G. Welles
  • habitat
  • Haight-Ashbury
  • HAL 9000
  • Hal Holbrook
  • Halloween
  • hallucinations
  • Hammer
  • handheld horror
  • Hanging Man
  • Happiness
  • Harlem
  • Harold Robbins
  • Harrison Ford
  • Harry Hamlin
  • Harry Nilsson
  • Harvey Keitel
  • haters
  • haunted house
  • hauntings
  • Hazel Court
  • Heather Graham
  • heaven
  • Heckler
  • Helen Hayes
  • Helena Bonham Carter
  • Helene Cattet
  • Hell
  • Hell's Angels
  • henri clouzot
  • Henry Fonda
  • Henry Hill
  • Herbert Marshall
  • Herk Harvey
  • heroin
  • Herschel Gordon Lewis
  • High School
  • highway safety
  • hillbillies
  • Hills Have Eyes
  • Hinduism
  • hippies
  • Hipster
  • hit girl
  • Hitler
  • holidays
  • Hollywood
  • Hollywood Haunted Babylon
  • hollywood sewing circle
  • Hollywood USA
  • Homophobia
  • homosexuality
  • hope lange
  • horror
  • Horror Demons Monsters Hippies Sex
  • Horror films
  • horror screenwriter
  • Horror terror
  • horses
  • hospitals
  • Howard Hawks
  • Howard Hughes
  • Hubris
  • Hugh Herbert
  • Hugh Jackman
  • Hugo Weang
  • Humphrey Bogart
  • Hundustani
  • Hunger
  • hungry charlie's
  • Hunter S. Thompson
  • Huntsman
  • Hurt Locker
  • Hypnotism
  • Hypocrisy
  • Hysteria
  • Ian McKellen
  • Ice Age
  • IFC
  • ilana glazer
  • Ilsa She-Wolf of the SS
  • imitators
  • immortality
  • imperialism
  • In Bruges
  • incest
  • incompetence
  • indecent
  • Indiana Jones
  • Indie
  • Inept
  • infringement
  • Ingrid Bergman
  • Inishmore
  • initiation
  • Insanity
  • Internet
  • intolerance
  • intoxication
  • Isabelle Adjani
  • Italian
  • Italian-American
  • Italy
  • J. Edgar Hoover
  • jack arnold
  • Jack Benny
  • Jack Hill
  • Jack Nicholson
  • Jack Nitzsche
  • Jack Torrance
  • Jackie Coogan
  • Jackie Earle Haley
  • Jackie Gleason
  • jacobean
  • Jacques Dutronc
  • jake gyllenhaal
  • james bond
  • James Caan
  • James Cagney
  • James Cameron
  • James Coburn
  • James Davidson
  • James Deen
  • James Fox
  • James Franco
  • james huberty
  • James Mason
  • James McHattie
  • James Taylor
  • James Toback
  • James Watkins
  • James Whale
  • jamie dornan
  • Jamie Lee Curtis
  • Jan De Bont
  • Jane Asher
  • Jane Birkin
  • Jane Campion
  • Jane Fonda
  • Janet Leigh
  • Janice Rule
  • janos
  • Japan
  • Japanese
  • Jaqueline MacInnes Wood
  • Jason Patric
  • Jason Reitman
  • Javier Bardem
  • Jay Baruchel
  • Jazz
  • Jean Claude Van Damme
  • Jean Harlow
  • Jean Luc Godard
  • Jean Michel Gondry
  • Jeff Bridges
  • Jeff Goldblum
  • Jeff Morrow
  • Jemima Kirke
  • Jennifer
  • jennifer connelly
  • Jennifer Jones
  • Jennifer Lawrence
  • Jennifer's Body
  • jenny slate
  • Jeremy Renner
  • Jerry Lewis
  • Jess Franco
  • Jesse Eisenberg
  • Jessica Alba
  • Jill Banner
  • Jim Breuer
  • Jim Crow
  • Jimi Hendrix
  • jimi page
  • Jimmy Page
  • Joan Blondell
  • Joan Collins
  • joan crawford
  • Joan Jett
  • Joan of Arc
  • Joanne Woodward
  • Joe Cocker
  • Joe E. Brown
  • Joe Kubert
  • joe massot
  • Joe Pesci
  • joel mccrea
  • Joel Schumacher
  • john agar
  • John Barrymore
  • John Bonham
  • John Carpenter
  • John Carradine
  • John Cusack
  • John Cusak
  • John Ford
  • John Garfield
  • John Gilbert
  • John Goodman
  • John Heard
  • John Huston
  • john lennon
  • john lurie
  • John Malkovich
  • john monk saunders
  • John Parker
  • John Phillip Law
  • John Sebastian
  • John Stahl
  • John Wayne
  • Johnny Depp
  • joint
  • Joker
  • Jon Beller
  • Jon Voight
  • Jonas Cord
  • Josef Von Sternberg
  • Joseph Campbell
  • Joseph McCarthy
  • Josh Brolin
  • josh hartnett
  • Joshn Brolin
  • Jude Law
  • Judi Bowker
  • judi dench
  • Judy Davis
  • Judy Garland
  • Julia Roberts
  • Julian Barett
  • Julianne Moor
  • Julie Bishop
  • Julie Harris
  • Juliette Lewis
  • Jung
  • Jungian
  • jungle
  • junk
  • Juno Temple
  • Jurgen Prochnow
  • Justin Timberlake
  • Juvenile Delnquency
  • kali
  • karate
  • Karen Morely
  • Karina Longworth
  • Karl Malden
  • Karyn Kusama
  • Kate Bosworth
  • Kate Jackson
  • Kate Valk
  • Kate Winslet
  • Kathryn Bigelow
  • katniss
  • Katrina Bowden
  • Kay Francis
  • Keira Knightley
  • Keith Richards
  • Kelli Maroney
  • Ken Russell
  • Kenneth Anger
  • Ketamine
  • Kevin Smith
  • KGB
  • kiefer sutherland
  • Kiele Sanchez
  • Kiera Knightley
  • Killer Whale
  • Kim Morgan
  • Kim Novak
  • Kimberly Linn
  • Kirsten Dunst
  • Klaus Kinski
  • Klute
  • Kristen Stewart
  • Kristen Wiig
  • Kristina Lokken
  • Kubrick
  • Kurt Russell
  • La Cava
  • la nouvelle justine
  • lacan
  • lacanian
  • Lake Bell
  • Lambda
  • Lana del Rey
  • Lana Turner
  • Lance Rock
  • language barriers
  • Lars Von Trier
  • Las Vegas
  • last year at marienbad
  • Laura La Plante
  • Lauren Bacall
  • Laurence Olivier
  • Le Tigre
  • Led Zeppelin
  • Lee Marvin
  • Lee Tracy
  • legalize it
  • Lena Dunham
  • Leni Riefenstahl
  • Leo Carrillo
  • Leo Di Caprio
  • Leonardo Dicaprio
  • Les Grossman
  • lesbian
  • Lesbian Sex
  • Lesbianism
  • Lesbians
  • Leslie Nielsen
  • Let's Scare Jessica to Death
  • lewd
  • Lewis Carroll
  • Liam Neeson
  • Lili Taylor
  • Lililan Gish
  • Lily Damita
  • limousines
  • Linda Fiorentino
  • lindsay lohan
  • Lionel Atwill
  • Lionel Barrymore
  • Lionel Stander
  • liquid karma
  • Lisa Houle
  • Liz
  • lizard queen
  • llewyn davis
  • Lohengrin
  • Lolita
  • Lon Chaney Jr.
  • Lon Chaney Sr.
  • London
  • Lord Lhus
  • Lord of the Rings
  • Loretta Yong
  • loretta young
  • Lorne Michaels
  • Lorraine Warren
  • Los Angeles
  • Lotte Lenya
  • louise fazenda
  • Love
  • lsd
  • Lubitsch
  • Luc Besson
  • Lucien Prival
  • Lucille Ball
  • Lucio Fulci
  • Lucretia Martel
  • luis bunuel
  • Luke Jordan
  • Lupe Velez
  • lycanthrope
  • lydia lunch
  • lynch mobs
  • Lynn Lowry
  • M. Night Shyamalan
  • Macbeth
  • Mad Men
  • Madge Evans
  • Madness
  • Mae West
  • Mafia
  • magic
  • Magnificent Ambersons
  • Mako
  • malcolm lowry
  • malcolm mcdowell
  • Mamas and the Papas
  • Mandy Moore
  • Manhattan
  • Manny Farber
  • Manson
  • mantis aliens
  • Marg Helgenberger
  • Maria Montez
  • Marian Marsh
  • Marianne Faithfull
  • Marie Antoinette
  • marijuana
  • Marilyn Monroe
  • Mario Bava
  • Mark Frost
  • Marki Bey
  • Marlene Clark
  • marlene dietrch
  • Marlene Dietrich
  • marlon brando
  • Marni Nixon
  • Marnie
  • Marquis de Sade
  • Martial Arts
  • Martin McDonagh
  • Martin Ransohoff
  • Martin Scorsese
  • Martine Beswick
  • martyrdom
  • Marvel
  • Marwencol
  • Mary Astor
  • Mary Shelly
  • Mary Woronov
  • masculinity
  • Masochism
  • masonic
  • masons
  • Matador
  • Matango
  • Materialism
  • matriarchy
  • Matt Dillon
  • Matthew Wilder
  • Maureen O'Hara
  • Max Ophuls
  • Max Rosenblum
  • Maya Deren
  • Maya Rudolph
  • McGowan
  • media studies
  • medical
  • Megan Fox
  • Meghan Wright
  • Meiko Kaji
  • Melies
  • Melissa Sue Anderson
  • melodrama
  • memoir
  • memory
  • Mercedes de Acosta
  • Mesa of Lost Women
  • mescaline
  • meta
  • metaphysics
  • metatextuality
  • meth
  • Mexican Mud Band
  • MGM
  • mia farrow
  • Michael Blodgett
  • Michael Caine
  • Michael Cera
  • Michael Corleone
  • michael fassbender
  • Michael Lang
  • Michael Madsen
  • Michael Mann
  • Michael Myers
  • Michael Remar
  • Michael Shannon
  • Michael Smiley
  • Michele Soavi
  • Mick Jagger
  • mick lasalle
  • mid-life crisis
  • Mike Hammer
  • Mike Myers
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